A sheet with hieroglyphs from Eisenstein’s notebook, a student of the Japanese department of the Academy of the General Staff in Moscow. Studies of Japanese coexist with dreams of working in the theater. In the late autumn of 1920, Eisenstein became a designer at the Moscow Proletkult Theater and started drawing the slogans of “theater innovations”.
Eisenstein studies Japanese
Creation period
1920 (original), 2018 (facsimile copy)
Technique
paper, printing
Collection
Exhibition
12
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Eisenstein S.M.
A sheet with Japanese characters and theater sketches from 1920. Facsimile
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Eisenstein studies Japanese
Creation period
1920 (original), 2018 (facsimile copy)
Technique
paper, printing
Collection
Exhibition
12
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