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The 1610 Sack of Uglich

Creation period
1986
Dimensions
180x204 cm
Technique
Oil on canvas
0
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#1
Simakov S.B.
The 1610 Sack of Uglich
#2
The painting The Sack of Uglich by Sergei Simakov tells the story of one of the battles in the 1609-1618 Russian-Polish war, a key event during the Time of Troubles. By 1610, the Polish-Lithuanian troops arrived at Uglich and besieged the monastery of St. Michael In-the-Woods. A few days before Easter, on 4 April by the Julian Calendar, the invaders overwhelmed the resistance and burned the monastery down. 
 
In his painting Simakov depicts the defence of the monastery. Central to the painting is the scene of a fierce battle: the elite Polish cavalry and Zaporozhye Cossacks are attacking Russian warriors and civilian residents who are guarding the retreat. The painter showed the confrontation in the traditions of battle painting: it is a large, dynamic and emotional work, with a diversity of accurate historical details. 

Standing in front of the monastery, at the head of a small group of people, is Abbot Michael, putting a sign of cross over the Russian troops; next to him is a young man holding lit candles. Praying to God for victory are also local Uglich saints and the saints venerated across Russia: they are seen in poses of supplication against the background of the sky grey with clouds. To the left are Tsarevich Dmitry of Uglich, Venerable Cassian of Uchma, the Faithful Saint Prince Roman of Uglich and St. Leontius of Rostov. To the right are St. Nicholas of Mira, Venerable Paisius of Uglich and Venerable Bassian of Uglich. 
#3
Responding to their prayers, St. Michael the Archangel, prince of the heavenly host, appears in the sky. He is holding a flaming sword in his right hand, with his wings spread wide open and his purple cloak flying. In the Orthodox faith, St. Michael is venerated as the main defender of the law of God and the souls of the dead. In the early tradition of icon painting he was often shown with a spear and a mirror roundel. Later, and also in secular art, St. Michael was more commonly depicted with a flaming sword.
Icon of St. Michael the Archangel from the Church of St. Michael over Kotorosl, ca. 1300
Source: wikipedia.org
#4
Rafael, St. Michael, ca. 1503-1505
Source: wikipedia.org
#5
The plot for the canvas was prompted to Sergei Simakov by the stone church of St. Michael In-the-Wood, built in 1787 in the place of the destroyed monastery. There is a cross not far from the old church commemorating the defeat, with the inscription: Under this cross are buried the bodies of the killed and burnt hermits, monks of the holy retreat of St. Michael — Abbot Michael and 40 brethren, with them also 300 lay people who died a martyr’s death at the sack of this monastery by the Poles in 1610. The painter lived next to the church where he bought an old house for his summertime studio. Together with his wife, he visited the church and helped conduct liturgies. With the death of his spouse, Simakov became the abbot of the church as Father Rafael.
#6
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The 1610 Sack of Uglich

Creation period
1986
Dimensions
180x204 cm
Technique
Oil on canvas
0
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