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Stone Alatyr

Creation period
1984-1985 years
Dimensions
173x93 cm
Technique
Canvas, oil
0
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#1
Simakov S.B.
Morning of the Slavs. Triptych. Horse of Svyatovit
#2
Artist Sergey Simakov was born in Moscow in 1949; at the same place in 1972 he graduated from Moscow Institute of Architecture (MIA). From an early age he was fond of painting; in 1970 he created impressionist and surrealistic paintings. At that time he entered the association Twenty Moscow Artists — a group of Soviet artists-non-conformists who hosted sell-out exhibitions of semi-forbidden art in the cellar of house No.28 in Malaya Gruzinskaya Street. 

However, as early as in 1980 Sergey Simakov got disappointed in avant-garde. He drew his focus towards orthodox: baptized and got married with his spouse. At the same time the artist bought a house for summer workshop in Uglich village Zagajnovo. Nearby is Church of Archangel Michael in the pine wood — primarily Simakov visited it as a parishioner, helped with household matters to reverend John and after the death of his wife in 2005 he took the monastic vows and became an abbot of the church under the name Raphael.
#3
In the period of 1984-1985 Simakov completed his triptych Morning of the Slavs where he depicted the scenes from Slavonic mythology. This was his last piece of art with pagan motives in his creativity. Stone Alatyr is the first part of the triptych. According to the Slavonic legends, fairytales and myths this is the biggest stone in the world, father of all stones, the navel of the world that bears sacral characters. It was believed that if one finds Alatyr he/she may acquire extraordinary strength and invulnerability. 
 
The significant part of the painting is occupied by the image of the River of Fire Smorodina (the name stems from the word stench) or Puchay-river. This Slavonic analogue of the Ancient Greek Styx, a mythological river that separates the world of the living and the world of the dead. In the central image of the human being pressed down by the horse — the artist coupled the images of two legendary heroes: Anika-warrior and Vasiliy Buslaev. According to the legends, they possessed extraordinary strength, however, used it for their entertainment. As a result, they both perished attempting to prove their infinite dare devilry. The legendary hero on the painting attempted to reach Alatyr depicted at the upper field, however, he inevitably failed. 

On the right bank of the river one can see the horsemen that do not dare to cross the glowing Smorodina. The boy depicted in the right lower corner — he points with his finger to the fallen hero — reminds of the fate of those who would dare to do it. In the synopsis to this painting Simakov wrote: ‘A human being is a pilgrim on earth. Who would explain to him why he came to this life? ’ In this canvas, the author argues about the sense of human life and harmfulness of egoistic intentions.
#5
Sergey Simakov, Horse of Svyatovit, central part of triptych Morning of the Slavs, 1984-85
Source: State Autonomous Institution of Culture of Yaroslavl Region Uglich State Historical, Architectural and Art Museum
The central part of triptych Morning of the Slavs was the painting Horse of Svyatovit where Simakov depicted a light Slavonic deity in three images symbolizing the Holy Trinity. This symbol of the Christianity epoch that would soon set in for ancient inhabitants of Rus (Russia). 
#6
The left part is the Tree of Life. In the bright picture there is a multitude of pagan symbols, however, the main heroine of the painting is full of thoughtfulness and anticipation of changes.
Sergey Simakov Tree of Life, left part of triptych Morning of the Slavs, 1984-85
Source: State Autonomous Institution of Culture of Yaroslavl Region Uglich State Historical, Architectural and Art Museum
#7
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Stone Alatyr

Creation period
1984-1985 years
Dimensions
173x93 cm
Technique
Canvas, oil
0
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