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Edge of the Forest

Creation period
1879
Dimensions
149x90 cm
Technique
oil, canvas
64
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#1
Ivan Shishkin
Edge of the Forest
#2
Ivan Shishkin was born in 1832 into a merchant family in Elabuga, the Vyatka Governorate (on the territory of modern Tatarstan). In 1852, Shishkin entered the Moscow School of Painting, Sculpture and Architecture, where he studied under the guidance of the portrait artist Apollon Mokritsky. Moreover, four years later, he became a student at the Imperial Academy of Arts in St. Petersburg. According to the artist’s niece Alexandra Komarova, fellow students and even teachers noted that “Shishkin paints such views that no one else has ever painted before: just a field, a forest, a river — and he paints them as beautifully as Swiss panoramas.” In 1860, Ivan Shishkin graduated from the Academy with a major gold medal. In 1864, the artist moved to Dusseldorf, where he began working on “View in the Vicinity of Dusseldorf”. This landscape earned him the title of academician.

In the 1870s, Shishkin joined the Wanderers [Peredvizhniki] and became one of the founders of the the Society of Travelling Art Exhibitions. Ilya Repin, a celebrated Russian artist, recalled,
#4
The voice of the bogatyr (“knight, hero” in Russian) Shishkin was the loudest of all, inspiring everyone, showing health, fun, good appetite and truthful Russian language like a mighty green forest. He drew a lot of excellent drawings during these evenings. The audience used to gasp behind him, when he began to twist and rub his brilliant drawing, his mighty paws of a dray and fingers clumsy from work, and the drawing, as if by miracle or magic, from such a rude action of the artist, turns out to be more and more elegant and brilliant.
#5
Ivan Shishkin painted any species and types of trees and greenery paying close attention to the smallest detail. He did not just depict plants, but endowed them with features that appeared due to the soil and climate. And these details depended on the terrain that the artist recreated on the canvas. Even the ground surface — stones, sand, clay, uneven soil overgrown with ferns and forest herbs, dry leaves, brushwood, dead wood — turned out to be very realistic in Shishkin’s paintings and drawings.

The artist wrote, 
#6
There should be no falsehood when painting nature. This is the same as lying in prayer, uttering words that are foreign and alien to it.
#7
The collection of the Chelyabinsk State Museum of Fine Arts contains several works by Ivan Shishkin. One of them, “Edge of the Forest”, is on permanent display.
#3
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Edge of the Forest

Creation period
1879
Dimensions
149x90 cm
Technique
oil, canvas
64
Point your smartphone camera to open in the app
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To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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