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A Man from Cairo

Creation period
Mid-1870s
Dimensions
55x38 cm
Technique
Oil on canvass
8
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#1
Konstantin Makovsky
A Man from Cairo
#2
In the history of the Russian 19th century fine arts, it is hard to find a more in-demand artist than Konstantin Makovsky (1839 –1915). His contemporaries used to call him ‘Brilliant Kostya’ (a short for Konstantin). His works were esteemed by Emperor Alexander II, and court ladies stood in line to pose for him. Makovsky wrote about himself: ‘I used to earn exorbitant amounts of money, used to live a life of regal splendor, and managed to paint a myriad of pictures, murals, portraits, essays and watercolors’.

The artist became famous thanks to his so-called ‘boyar style’ paintings. Ancient Russia in his works is shown in its full beauty. He experienced great pleasure in depicting authentic and festive Russian ancientry. Makovsky used to paint peasant women in festive folk costumes, folk festivals and domestic scenes of past centuries. 
#3
K. Makovsky. At tea. 1914. Source: Ulyanovsk Regional Art Museum
In 1863 he joined the legendary ‘Rebellion of the Fourteen’: the first in history of the Russian Arts act of protest organized by several graduates of the Academy of Arts. They demanded democratization of arts and refused to paint their graduation works on mythological subjects suggested to them as was prescribed by the standards of the Academy. 
#4
K. Makovsky. A Herring Seller. 1867. Source: Russian Museum
After that the rebels left the Academy and gave rise to the Society of Wandering Art Exhibitions. The Wanderers (or ‘Peredvizhniki’) were inspired by ideas of populistic doctrine (‘Narodniks’) and depicted unattractive peasant mode of life. Makovsky was no exception. However, by mid-1870s, he got tired of social agenda.

Much about at that time Makovsky went off on a journey to the Middle East, and his travel impressions provided the basis for his painting ‘A Man from Cairo’. 
#8
This is one of the sketches to the large-scale historical canvass ‘Translation of the Holy Carpet from Mecca to Cairo’.
#5
In that work of his, Makovsky strived to interpret rich charms of the country. The Man of Cairo is one of many men, women and children whom Makovsky translated into his painting. The Man is dressed in ornate embroidered linen robe that used to be worn by Egyptian men from ancient times. The robe is decorated with a belt, embroidery and sewed-on charms. The character’s head is covered with a headscarf wrapped round as a turban.
#6
K. Makovsky. Translation of the Holy Carpet from Mecca to Cairo. 1876. Source: Russian Museum
#7
In a way, it was Makovsky who brought to the Russian soil the fashion for oriental motifs. Having returned from the journey, the artist created a great variety of landscape sketches, genre pictures and portraits of Arabs.

Makovsky completed his painting “Translation of the Holy Carpet from Mecca to Cairo” in Paris, and made it even more colorful than the sketches. It was first exhibited in the Salon in Paris in 1876. Its subject is based on an ancient Muslim tradition that prescribed for pilgrims to annually deliver the Holy Carpet from Cairo to Mecca. Upon their return back to Cairo, the pilgrims used to be greeted by a celebrating crowd, and probably, the character of the “Man from Cairo” was part of that crowd. 
#9
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A Man from Cairo

Creation period
Mid-1870s
Dimensions
55x38 cm
Technique
Oil on canvass
8
Point your smartphone camera to open in the app
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To see AR mode in action:
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  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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