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A Girl on a Tortoise

Creation period
Late 19th – early 20th century
Dimensions
50х28х38 cm
Technique
Marble
1
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#1
Mathurin Moreau
A Girl on a Tortoise
#2
Mathurin Moreau was born in 1822 in Dijon into a family of a well-known sculptor and craftsman Jean-Baptiste Moreau who became his son’s first mentor. Subsequently Mathurin Moreau worked in the traditional academic style and was very prolific as a sculptor. He had to his name religious and decorative statues, tombstones, fountains, indoor bronze figurines and quite a few public monuments. Moreau is most famous for his decorative statues which can be found today in Paris, Buenos-Aires, Geneva and Lisbon.

In 1841 Moreau entered École des Beaux Arts in Paris and soon left for Italy to continue his education and study ancient Greek and Roman heritage that was to influence his own style and range of interests. His brothers, Hippolyte and Auguste, too, followed in their father’s steps and founded one of the best-known French art studios, that of the Moreau brothers (L& F Moreau). 
#4
M. Moreau. Fountain of Tourny. Quebec Parliament. 1855. Quebec, Canada
#5
M. Moreau. Oceania. Orsay Museum, Paris. 1878
True success came to Moreau in 1855 when he created the sculpture group to decorate the fountain of Tourny and won a gold medal at the World’s Fair. Today the fountain is in the forecourt of the Quebec Parliament, Canada. In 1877 Moreau was commissioned to create several caryatids for the eastern side of the Paris Opera. Also among his monumental works is Oceania, which these days is in front of the Orsay Museum in Paris.
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His marble sculptures were popular too. Moreau knew classics very well and successfully followed traditions of the past in his works. Already as a young man, the sculptor created elegant figures of women prompted by mythological or allegorical images. His marble group, A Girl on a Tortoise, is one of them. It is a small indoor piece. Moreau was a sculptor of the academic school and observed its key principles in his work: focus on ideal shapes of ancient art, metaphorical style, and supreme technical craftsmanship.
#7
The story behind the sculpture relates to ancient Roman-Greek mythology. The tortoise accompanied Aphrodite Urania, goddess of celestial, incorporeal love, and was a symbol of female chastity. It is also reminiscent of the goddess’s sea origins who, according to the legend, stepped onto the shores of Cyprus from the waves. This is an image frequently found in painting and monumental art. Aphrodite Urania is commonly shown resting one of her feet on the tortoise.
Aphrodite on a tortoise, Athens, 420-400 BCE. Altes Museum, Berlin
#8
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A Girl on a Tortoise

Creation period
Late 19th – early 20th century
Dimensions
50х28х38 cm
Technique
Marble
1
Point your smartphone camera to open in the app
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To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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