Font
Color
Graphics
Изображение точки

To see AR mode in action:

1. Install ARTEFACT app for iOS or Android;

2. Find the exhibition «Chaliapin House in Moscow»

3. Push the «Augmented reality» button and point your phone's camera at the exhibit;

Скрыть точки интересаПоказать точки интереса
Показать в высоком качестве

Farlaf. Costume sketch

Creation period
1907
Place of сreation
Saint Petersburg, the Russian Empire
Dimensions
33x23 cm
Technique
paper, watercolor
1
Open in app
#1
The Hall of Fame in the Feodor Chaliapin Estate Museum houses a sketch of the costume for the character of Farlaf in Mikhail Ivanovich Glinka’s opera “Ruslan and Lyudmila”. The drawing by Ivan Bilibin depicts Farlaf in full-length, three-quarter turn to the left. The character has a caricatured face and a long red mustache. He wears a gray chainmail tunic, with a patterned shirt underneath and a dark red cloak over his shoulders.

Feodor Chaliapin performed the roles of Ruslan and Farlaf in Mikhail Glinka’s opera, and it was in the latter role that, according to the critic Abram Gozenpud, he excelled, surpassing his famous predecessors,
#7
The impertinence, bravado, unbridled impudence, intoxication with his own ‘courage’, envy and malice, cowardice, voluptuousness, all the baseness of Farlaf’s nature were revealed by Chaliapin when he sang rondo with no caricatural exaggeration, no accentuation or pressure. Here the singer reached the pinnacle of vocal performance, overcoming technical difficulties with virtuoso ease.
#8
Ivan Bilibin drew his first illustration in 1899 for “The Tale of Ivan the Tsarevich, the Firebird and the Grey Wolf, ” inspired by the works of Viktor Vasnetsov. For the next 40 years, the artist turned to Russian folk tales and byliny. His graphic series were purchased by the Russian Museum and the Tretyakov Gallery, and set designs were commissioned by theaters anywhere from Buenos Aires to Paris.

The “Review of Theaters” magazine wrote about the production of “Ruslan and Lyudmila” in 1903,
#9
Bilibin’s name speaks for itself. The fanciful nature of the opera brought out a truly subtle and daring interpreter in the talented artist <…> The combination of colors, their range, dazzling in its very softness, creates the impression of rare harmony while taking the delighted viewer into a truly magical realm.
#10
In 1904, Ivan Bilibin illustrated Alexander Pushkin’s “The Tale of Tsar Saltan”. The artist worked slowly. First, he put a sketch on paper, then, using tracing paper, he finalized all the details and transferred it to Whatman paper. His colleagues and friends called him “Ivan The Iron Hand” for his precise lines. Ivan Bilibin chose colors, taking into account the peculiarities of printing presses and the thickness of paper, so after the printing the illustrations did not lose their quality. The book was published in 1905 and immediately received critical acclaim: a few months later, the Russian Museum of Alexander III acquired the original graphic cycle.
#11
read morehide
00:00
00:00
1x

Farlaf. Costume sketch

Creation period
1907
Place of сreation
Saint Petersburg, the Russian Empire
Dimensions
33x23 cm
Technique
paper, watercolor
1
Point your smartphone camera to open in the app
Share
VkontakteOdnoklassnikiTelegram
Share on my website
Copy linkCopied
Copy
Open in app

Ivan BilibinCollection of works

Обложка к сказке о Золотой рыбке
Обложка к сказке о Золотой рыбке
Реставрационный центр им. И.Э. Грабаря
Эскиз декорации к опере «Сказка о царе Салтане»
Эскиз декорации к опере «Сказка о царе Салтане»
Реставрационный центр им. И.Э. Грабаря
Stage design for “The Romance of a Mummy”
Stage design for “The Romance of a Mummy”
Ivangorod Museum
Эскиз костюма половецкого воина
Эскиз костюма половецкого воина
Реставрационный центр им. И.Э. Грабаря
Эскиз декорации к пьесе
Эскиз декорации к пьесе
Реставрационный центр им. И.Э. Грабаря
Portrait of an Egyptian Boy
Portrait of an Egyptian Boy
Ivangorod Museum
The Tale of the Golden Cockerel
The Tale of the Golden Cockerel
Ivangorod Museum
Эскиз декорации к пьесе «Власть тьмы»
Эскиз декорации к пьесе «Власть тьмы»
Реставрационный центр им. И.Э. Грабаря
Crimea. Rocks. Sugarloaves
Crimea. Rocks. Sugarloaves
Ivangorod Museum
The Murdered One
The Murdered One
Ivangorod Museum
Эскиз женского костюма к пьесе О.Э. Скриба
Эскиз женского костюма к пьесе О.Э. Скриба
Реставрационный центр им. И.Э. Грабаря
Портрет Чириковой
Портрет Чириковой
Реставрационный центр им. И.Э. Грабаря
Siege Diary
Siege Diary
Ivangorod Museum
Эскиз костюма к пьесе Скриба «Стакан воды»
Эскиз костюма к пьесе Скриба «Стакан воды»
Реставрационный центр им. И.Э. Грабаря
Иллюстрация к французской сказке
Иллюстрация к французской сказке
Реставрационный центр им. И.Э. Грабаря
Обложка к русским сказкам
Обложка к русским сказкам
Реставрационный центр им. И.Э. Грабаря
Domovoy
Domovoy
Ivangorod Museum
Обложка отрывного русского календаря
Обложка отрывного русского календаря
Реставрационный центр им. И.Э. Грабаря
Young Vologda Woman in Festive Attire
Young Vologda Woman in Festive Attire
Ivangorod Museum
List of dishes and music
List of dishes and music
Ivangorod Museum
To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
We use Cookies
Cookies on the Artefact Website. We use cookies to ensure that we give you the best experience on our website. If you continue without changing your settings, we'll assume that you are happy to receive all cookies on the Artefact website. However, if you would like to, you can change your cookie settings at any time.
Learn more about useHide
Content is available only in Russian

X

Нашли опечатку?...

%title%%type%