Ivan Aivazovsky is an outstanding Russian artist known for his seascapes. He painted the View of Yalta from Livadia Park in 1861, when Emperor Alexander II acquired the Yalta estate. The estate became the summer residence of the imperial family for several decades to come, and Ivan Aivazovsky was a frequent guest there.
View from Livadia Park
Creation period
1861
Dimensions
61x51 cm
61.5x51 cm
61.5x51 cm
Technique
Canvas, oil
Collection
54
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Ivan Aivazovsky
View from Livadia Park
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This landscape is not quite typical for a marine painter: Aivazovsky did not depict the sea in the foreground, allocating just a small part of the canvas to it. In the center of the picture is a bay located among the hills. The lofty slopes of the Mogabi Mountain are covered with dark green forests that take the viewer’s eyes deep into the composition. Polikurovsky Hill crowned by the Church of John Chrysostom is rising above the bay.
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In the foreground, the artist depicted a man in terracotta-colored clothes with a basket in his hand. The traveler slowly wanders along the dirt road of the park, moving towards the audience. Besides him, there are no more people in the picture. Against the background of the majestic landscape, this lonely human figure looks small and defenseless before the power of nature.
The painting was acquired by the museum collection in the early 1920s. It was passed over to the museum from the Ilyinskoye estate which is located in the Moscow region. It used to be the summer residence of Prince Sergei Alexandrovich Romanov. The Grand Duke was a big fan of Ivan Aivazovsky’s works.
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Ivan Aivazovsky was born in 1817 in the family of an Armenian merchant. When the future artist was small, his father went bankrupt, but this did not stop Ivan Aivazovsky from getting a decent education. He became interested in art during his green years, and since then the Crimean nature was a source of inspiration for him. Aivazovsky’s interest in painting was noticed by the mayor of Theodosia Alexander Kaznacheev. He gave the boy a present of paper and paints and suggested that he should study painting from architect Jacob Koch.
Thanks to the patronage of Alexander Kaznacheev, Ivan Aivazovsky graduated from a gymnasia school in his native city and got a scholarship at the St. Petersburg Academy of Arts. In the capital, he studied under the famous landscape painter Maxim Vorobyov whose canvases decorated royal palaces. Another mentor of the future marine painter was Philippe Tanner, a French artist who masterfully depicted water.
Thanks to the patronage of Alexander Kaznacheev, Ivan Aivazovsky graduated from a gymnasia school in his native city and got a scholarship at the St. Petersburg Academy of Arts. In the capital, he studied under the famous landscape painter Maxim Vorobyov whose canvases decorated royal palaces. Another mentor of the future marine painter was Philippe Tanner, a French artist who masterfully depicted water.
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“Crimea”, 1852, img via: wikipedia.org
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In 1837, Ivan Aivazovsky received the highest award at the Academy of Arts, the Great Gold Medal. It gave its holder the right to travel to Europe, where Ivan Aivazovsky went.In Italy, the marine painter developed his own creative method and began to receive first orders.
The paintings Aivazovsky made during his European journey brought him real success.
Ivan Aivazovsky entered the history of Russian painting as a master of waterscapes. There is a legend having it that once Emperor Nicholas I invited Aivazovsky on a boat trip.
Ivan Aivazovsky entered the history of Russian painting as a master of waterscapes. There is a legend having it that once Emperor Nicholas I invited Aivazovsky on a boat trip.
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Among the open sea, the Tsar said to the artist:
“Aivazovsky, I am the king of the earth, and you are the king of the sea!”
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New Jerusalem Museum
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View from Livadia Park
Creation period
1861
Dimensions
61x51 cm
61.5x51 cm
61.5x51 cm
Technique
Canvas, oil
Collection
54
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