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Road from Mleta to Gudauri

Creation period
1868
Dimensions
41x59 cm
Technique
Canvas, oil
10
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#1
Ivan Aivazovsky
Road from Mleta to Gudauri
#2
Ivan Aivazovsky (1817—1900) is famous as the topmost seascapist in the history of Russian art. He was first noticed by the public due to his 1840’s pictures in Italy where he went to brush up his artistry after graduating from the Academy of Arts. In Italy, he made friends with the writer Nikolai Gogol, painter Alexander Ivanov, and other prominent figures of Russian culture. Aivazovsky was carried away by Italy, so that he returned to Russia with dozens of major paintings. It was exactly in Italy that his artistic method was finally shaped. It is known that the Emperor Nicholas I said to the artist: “Aivazovsky! I am the king of land, and you are the king of the sea!”

However, he did not paint marines alone. In the late 1860’s, Aivazovsky set out on a journey to the Caucasus and Transcaucasia. He managed to visit Ossetia, Dagestan, Georgia, and Armenia, and produce numerous astonishing mountain landscapes, which are distinguished for a fine feeling of nature and an observant perception of the country.
#5
The collection of the Dagestan Museum of Fine Arts includes five works by Aivazovsky. One of them is the Road from Mleta to Gudauri, a mountain landscape painted exactly during Aivazovsky’s trip in the Caucasus. As a rule, he started working on a picture by painting the sky and the air; this feature largely contributed to the uniqueness of his works. The painter compared nature to a living creature, which is perfectly seen from the Road from Mleta to Gudauri.

The leading role in the composition is played by the icy and snowy summits and the bottomless gorge. The colour was the painter’s principal tool, which he used to emotionally speak to the viewer, help him get absorbed in the moment imprinted in the picture. Notwithstanding the momentariness of the scene, Aivazovsky paid a lot of attention to drawing specific details typical of that area. His pictures strongly impressed his contemporaries with veracity although the painter would often work from memory, without drawing on sketches.
#6
I. Aivazovsky. The Aul (Village) of Gunib in Dagestan. 1869. Source: Russian Museum
#4
The residents of Tiflis, now Tbilisi, were the first to see the Road from Mleta to Gudauri and other Caucasian pictures by Aivazovsky. The painter came to like Tiflis, so he arranged a workroom there. He was an exceptionally prolific artist and surprisingly quick to transfer the Caucasian views he was impressed by to the canvas. Over just one winter in Tiflis, Aivazovsky painted twelve pictures.
#7
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Road from Mleta to Gudauri

Creation period
1868
Dimensions
41x59 cm
Technique
Canvas, oil
10
Point your smartphone camera to open in the app
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To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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