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The Portrait of Catherine II

Creation period
1780s
Dimensions
120x80 cm
120×80 cm
Technique
oil on canvas
10
Open in app
#7
Dmitry Levytsky
The Portrait of Catherine II
#4
Dmitry G. Levitsky takes pride of place in Russian portraiture of the 18th century. In his works, he masterfully combined the character of the portrait and the spirit of the times. The works belonging to the brush of Dmitry Grigoryevich are vital, colorful and, most often, realistic, they are characterized by color intensity and richness of shades. Dmitry Grigorievich was not only an artist, but also he himself taught classes in the portrait class of the Academy of Arts for 17 years, and was an adviser to the Academy of Arts since 1775. 

Dmitry Levitsky made many variations and original copies of the painting ‘Catherine II as Legislator in the Temple of the Goddess of Justice’. It is interesting that the empress herself may never have posed for Dmitry Grigorievich for her portraits. At least, there is no evidence of this. Moreover, she was not the customer of these works. Her state secretary Alexander Andreevich Bezborodko for his new home in St. Petersburg commissioned the allegorical portrait of the empress. However, the metropolitan high-society audience liked him so much that the author was repeatedly asked to reduplicate it.
#11
Two-meter canvas from A.A. Bezborodko’s house is now kept in the State Russian Museum in St. Petersburg. Copies or versions performed by the author himself can be seen at the State Tretyakov Gallery in Moscow, the Novosibirsk Art Museum, the Primorsky State Art Gallery in Vladivostok, the Penza Regional Art Gallery and the Kiev Museum of Russian Art. In Penza, the portrait resembles a work from the Tretyakov Gallery, but it was painted a little earlier.
Dmitry Grigoryevich Levytsky (1735–1822). Catherine II as Legislator in the Temple of the Goddess of Justice. Early 1790s. Oil on canvas. State Tretyakov Gallery, Moscow.
#12
In the image of the empress, the author sought to realize the utopian dream of the people of his time about an “enlightened wise monarch”, a true citizen of his fatherland, who, by issuing fair laws, the very first himself obeys them. 

The artist portrayed Catherine II as the successor to the reforms of Peter I. The empress has the insignia of two highest state orders on her chest: the chain of the Order of St. Andrew the First-Called for special services to the Fatherland, established by Peter I, and the ribbon of the Order of St. Vladimir, already introduced by the Empress herself. Red velvet drapery gives solemnity, and an ermine mantle emphasizes the luxury of the imperial court. 

Later on in further paintings, other allegorical objects and symbols appeared, and the empress’s face was noticeably younger. 
#13
Nikolai Ivanovich Utkin (1780–1863). Portrait of Catherine II (from the sketch by D.G.Levytsky). 1832. Paper, graver. Penza Picture Gallery named after K.A. Savitsky
#14
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The Portrait of Catherine II

Creation period
1780s
Dimensions
120x80 cm
120×80 cm
Technique
oil on canvas
10
Point your smartphone camera to open in the app
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To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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