Шрифт
Цвет
Графика
Изображение точки

To see AR mode in action:

1. Install ARTEFACT app for iOS or Android;

2. Find the exhibition «Jewels of the Museum Collection»

3. Push the «Augmented reality» button and point your phone's camera at the exhibit;

Скрыть точки интересаПоказать точки интереса
Показать в высоком качестве

Vera Shevtsova. Study

Creation period
1868
Place of сreation
St. Petersburg, the Russian Empire
Dimensions
17,5x14 cm
Technique
canvas, oil
1
Open in app
#1

Ilya Efimovich Repin (1844–1930), a Russian realist, a peredvizhnik (member of the Society for Traveling Art Exhibitions), professor and teacher, was originally from the provincial town of Chuguev. He described his youth in the book “Far Away, Close By, ” which he wrote in 1915. It was published after the artist’s death.

Ilya Repin recalled,

#2

I was dreaming; for the most part, my iconostasis images appeared to me in my dreams: I was still living for them, just painted. I painted them right on the scaffolding. I was paid five rubles per image. <…> I must admit that I had success with my images in Sirotino as well. Of course, I used the necessary instructions and canons according to which every image of saints or entire scenes have to be painted (each painter has a chest filled with engravings), and was encouraged by the trust and interest of the entire parish and even my contractor.

#3

Having saved up the necessary money, Ilya Efimovich went to St. Petersburg to enroll in the Academy of Arts, but the educational institution opened its doors to him only a year later — in 1864. As a student, Repin proved himself to be a gifted portraitist.

A striking example of the young artist’s skill was the study “Vera Shevtsova, ” which he completed during his studies at the Academy. In the portrait, the artist depicted his future wife, Vera Alekseevna Shevtsova (1854–1918). She was the younger sister of his friends.

A fourteen-year-old girl is depicted reclining in an armchair. The outline of the backrest was used by the artist as a background, which he left unfinished. At the same time, Ilya Efimovich executed the heroine’s face masterfully, with clear and small strokes in soft pink tones. The young artist painted Vera’s white dress with a larger and wider brushstroke. The position of the left hand with a thin wrist lying on the hip, conveying a serene state, is aptly captured. The study shows a burst of inspiration and the artist’s desire to convey the inner world of the person portrayed.

The artist graduated from the Academy in 1871 with a gold medal and the right to a six-year trip to Europe at government expense. However, already in February 1872, according to the metric record of the Church of St. Catherine at the Imperial Academy of Arts, Ilya Efimovich married Vera Alekseevna. In their marriage, they had three daughters and a son — Vera, Nadezhda, Tatiana and Yuri. This marriage lasted 15 years.

#4
read morehide
00:00
00:00
1x

Vera Shevtsova. Study

Creation period
1868
Place of сreation
St. Petersburg, the Russian Empire
Dimensions
17,5x14 cm
Technique
canvas, oil
1
Point your smartphone camera to open in the app
Share
VkontakteOdnoklassnikiTelegram
Share on my website
Copy linkCopied
Copy
Open in app
To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
We use Cookies
Cookies on the Artefact Website. We use cookies to ensure that we give you the best experience on our website. If you continue without changing your settings, we'll assume that you are happy to receive all cookies on the Artefact website. However, if you would like to, you can change your cookie settings at any time.
Подробнее об использованииСкрыть
Content is available only in Russian

X

Нашли опечатку?...

%title%%type%