Ilya Efimovich Repin (1844–1930), a Russian realist, a peredvizhnik (member of the Society for Traveling Art Exhibitions), professor and teacher, was originally from the provincial town of Chuguev. He described his youth in the book “Far Away, Close By, ” which he wrote in 1915. It was published after the artist’s death.
Vera Shevtsova. Study
I was dreaming; for the most part, my iconostasis images appeared to me in my dreams: I was still living for them, just painted. I painted them right on the scaffolding. I was paid five rubles per image. <…> I must admit that I had success with my images in Sirotino as well. Of course, I used the necessary instructions and canons according to which every image of saints or entire scenes have to be painted (each painter has a chest filled with engravings), and was encouraged by the trust and interest of the entire parish and even my contractor.
Having saved up the necessary money, Ilya Efimovich went to St. Petersburg to enroll in the Academy of Arts, but the educational institution opened its doors to him only a year later — in 1864. As a student, Repin proved himself to be a gifted portraitist.
A striking example of the young artist’s skill was the study “Vera Shevtsova, ” which he completed during his studies at the Academy. In the portrait, the artist depicted his future wife, Vera Alekseevna Shevtsova (1854–1918). She was the younger sister of his friends.
A fourteen-year-old girl is depicted reclining in an armchair. The outline of the backrest was used by the artist as a background, which he left unfinished. At the same time, Ilya Efimovich executed the heroine’s face masterfully, with clear and small strokes in soft pink tones. The young artist painted Vera’s white dress with a larger and wider brushstroke. The position of the left hand with a thin wrist lying on the hip, conveying a serene state, is aptly captured. The study shows a burst of inspiration and the artist’s desire to convey the inner world of the person portrayed.