Шрифт
Цвет
Графика
Изображение точки

To see AR mode in action:

1. Install ARTEFACT app for iOS or Android;

2. Find the exhibition «I.A. Bunin museum exhibit»

3. Push the «Augmented reality» button and point your phone's camera at the exhibit;

Скрыть точки интересаПоказать точки интереса
Показать в высоком качестве

The origin of my short stories

Dimensions
32x37 cm
0
Open in app
#1
Bunin I.A.
The origin of my short stories
#4
In his autograph presented in the museum’s exhibit, Ivan Bunin describes the history of the creation of the story “Dark Avenues”. It was he who gave the name to the collection, which the writer was working on during the Second World War.

During the five years of the occupation of France by fascist troops, Bunin and his wife Vera Muromtseva lived in the south of the country in the small town of Grasse. They rented the villa “Jeannette”, which was located on the steep slope of the Alps. During the war years, acquaintances who needed help found shelter with the Bunins: the poetess Galina Kuznetsova and her friend Margarita Stepun, the writer Leonid Zurov, the writer Aleksandr Bakhrakh, the family of the Jewish pianist Aleksandr Liberman, who was threatened with arrest, and many others.

At that time, life at the villa “Jeannette” was getting harder day by day. However, despite the lack of money and hunger, Bunin flatly refused to cooperate with publishing houses under the fascist regime.

Friends who left France suggested the writer to go to America. On April 15, 1941, prose writer Mark Aldanov wrote to Bunin from the USA:
#5
“If you eat only rutabagas and if Vera Nikolaevna is having floaters, then how can you stay in Grasse?! Think, dear friend, while you can still do it. There is opportunity for you two to leave”.
On April 15, 1941, prose writer Mark Aldanov wrote to Bunin from the USA
#6
But Ivan Alekseevich refused to move to America: he wanted to go home to Russia.

On June 22, 1941, Bunin wrote in his diary: “Suddenly Zurov”s cry: “Ivan Alekseevich, Germany has declared war on Russia!” I thought he was joking, but Bakhrakh also shouted from below. Ran into the dining room to the radio – yes! We are terribly alarmed! ’ From that day on, the writer’s attention was focused on Russia. In his room, he hung up maps of the Soviet Union, on which he marked the path of advancement of the Soviet troops, every evening he listened to reports of military events on the radio. Bunin’s diaries of these years were both a chronicle of military events, and a reflection of his state of mind – far from balance and harmony.

As Vera Muromtseva recalled, only creativity saved the classic. Only work on the collection ‘Dark Avenues’ allowed him to temporarily move ‘to another world, where blood was not shed, where they do not burn alive’.

In a letter to the writer Nadezhda Teffi on May 19, 1944, Bunin told: ‘This whole book is called after the first short story – “Dark Avenues” – in which the heroine reminds her first lover how he once read poems to her about “dark avenues” (“Around the scarlet rosehip bloomed, there were dark linden avenues”) – and all the stories of this book are only about love, about its “dark” and most often gloomy and cruel avenues’.

The collection ‘Dark Avenues’ was first published in 1943 in New York in a circulation of six hundred copies. Out of the twenty stories written by Bunin by that time, only eleven were included. The second complete edition of ‘Dark Avenues’ was published in Paris in 1946.
#7
read morehide
00:00
00:00
1x

The origin of my short stories

Dimensions
32x37 cm
0
Point your smartphone camera to open in the app
Share
VkontakteOdnoklassnikiTelegram
Share on my website
Copy linkCopied
Copy
Open in app
To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
We use Cookies
Cookies on the Artefact Website. We use cookies to ensure that we give you the best experience on our website. If you continue without changing your settings, we'll assume that you are happy to receive all cookies on the Artefact website. However, if you would like to, you can change your cookie settings at any time.
Подробнее об использованииСкрыть
Content is available only in Russian
%title%%type%