Vasily Tropinin painted A Young Woman Engaged in Openwork in 1830. He portrayed a nice-looking young woman who looks up from her work for a moment and glances at a person entering the room. The artist made the portrait in three versions, which are now safe- kept in the museum collections of Novgorod, Khanty-Mansiisk and Vladimir. In this portrait the ‘embroideress’ is wearing a dress different from those in the other versions of the painting.
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A Young Woman Engaged in Openwork
Creation period
1830-s
Dimensions
82,3x66,8 cm
82.3×66.8 cm
82.3×66.8 cm
Technique
Oil on canvas
Collection
7
Open in app#1
Vasily Tropinin
A Young Woman Engaged in Openwork
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Тропинин В. А. Дама за прошивками. 1830-е гг. ГХМ Ханты-Мансийска.
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When in 1830 Tropinin presented the canvas A Young Woman Engaged in Openwork to the public, the viewers and the art critics noted the fine precision in the depiction of items necessary for needle work. They actually formed a still life of its own within the portrait.
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Tropinin’s technique by the time had reached perfection, and the artist managed to convey realistically the feel of every detail in the painting: the luster of the dress, the slightly disarranged threads on the red kerchief, the shimmer of pins and thimbles. Tropinin reached the effect of an enamel surface of the painting using a solid layer of paint and glazing, a special technique of applying a semitransparent layer of oil paint over the main colour which is used by artists to create iridizing and opalesque shades of colour.
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The painting A Young Woman Engaged in Openwork brought Vasily Tropinin, who was 54 at the time, great popularity and fame for masterfully portraying women. However, the artist’s way to fame was long and challenging.
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Vasily Tropinin, Self-portrait against a window, overlooking the Kremlin, 1846. Oil on canvas. Tretyakov Gallery.
Tropinin was born to a family of serves of Count Anton Minnich in the Novgorod gubernia (province), but later was transferred into the ownership of Count Irakly Morkov who took the young man to St.-Petersburg. Tropinin was had been fond of drawing since his childhood and while studying the trade of confectioner in the capital, he started attending free classes at the Imperial Academy of Arts. Sometime later, Morkov sent Tropinin to his estate in Ukraine where the artist served as a confectioner and a lackey [a home servant of a lower rank-tr.], and in his spare time he continued painting: he painted frescoes for the local church, copied paintings by famous masters and created his own works, mainly portraits of Little Russian peasants. The artist was granted freedom from serfdom only at the age of 47 and went to St. Petersburg where he participated in a painting contest following which the Imperial Academy of Arts granted him the title of appointed Academician.
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The pictures The Lace Maker (1823), The Gold-Embroideress (1825), A Young Woman Engaged in Openwork (1830) attracted public attention to Tropinin’s creative work, and gradually wealthy and famous clients started making orders with the artist.
V.A.Tropinin. Spinner. Oil on canvas. Late 1800s - early 1810s (State Tretyakov Gallery). Typographic printing paper. 15×10. GMVMZ
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V.A.Tropinin. Portrait of A.S. Pushkin. 1827. A.S. Pushkin museum, St. Petersburg
One of the most famous works by Tropinin is The Portrait of Alexander Pushkin. The poet was rather averse to sitting for portraits, and for that matter only two real life portraits – by Vasily Tropinin and Orest Kiprensky – have survived to this day. Contrary to the commonly-spread opinion that the portrait was commissioned by the poet’s friend, the bibliographer Sergei Sobolevsky, it was Pushkin who made that order, and later he gave the completed work to Sobolevsky, as a gift to be remembered by.
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A Young Woman Engaged in Openwork
Creation period
1830-s
Dimensions
82,3x66,8 cm
82.3×66.8 cm
82.3×66.8 cm
Technique
Oil on canvas
Collection
7
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