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Allhallows Bridge

Creation period
1901
Dimensions
155,3x284,5 cm
Technique
canvas, oil painting
19
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#1
Apollinariy Vasnetsov
Allhallows Bridge
#2
The painting Allhallows Bridge. Moscow of Late 18th Century is one of historical city landscapes of Apollinariy Vasnetsov. The artist created it in 1901. In the painting, he depicted the Kremlin panorama and the first stone bridge in Moscow with eight spans. By the time of the painting creation the bridge was demolished, and the artist used various archive documents to reconstruct its exterior view.

Apollinariy Vasnetsov animated the Moscow architecture by a genre scene: he depicted a frolic crowd with a group of wandering comic minstrels during the Butter Week (Russian carnival before Lent). The author emphasized the carnival spirit by a bright picturesque array. His historical city landscape is not reserved, but looks more like an illustration to a fairytale: colorful architecture and ‘gingerbread houses’, painted fences and hoods of snow covering the roofs.

Diligent research of a true historian underpinned this theme. The author spent long hours in archives and libraries to find out what the city looked like in previous centuries. Allhallows Bridge just like other paintings of Apollinariy Vasnetsov from the old Moscow series is an alloy of exact sciences and artistic talent. While working on this piece, he developed authentic drawings: sketched a layout marking the exact location of various landmarks at a certain historic moment. He used black lines to draw the disappeared buildings and red lines for the preserved ones. Currently, many of his drawings are stored together with his paintings and watercolors in Moscow Museum.

#4
Apollinariy Vasnetsov, Old Estuary of the Neglinnaya River, 1924. Source: wikipedia.org
Because of his persistence and thirst for knowledge, Apollinariy Vasnetsov visited not just archives, but also archeological excavations. After a certain while, the artist became friends with the scholar community: he acceded Moscow Archeological Society, the Commission for Restoration of Historic Monuments and the Commission for Old Moscow Studies. Alexander Benois wrote: ‘Reconstruction of Moscow of the Grand Dukes and Tsars has become his main task, and he immersed himself in it, turning into somewhat of an artistic archeologist’.
#6
For a long time, Apollinariy Vasnetsov has been ‘a wallflower’ of his elder brother Victor Vasnetsov. The situation changed in early 1890-s, when the junior brother tackled the illustrations to Mikhail Lermontov’s poem Song about Kalashnikov the Merchant. The artist was determined to paint not fictional, but real Moscow of the 16th century. Starting from that time he constantly turned to historic evidence and reconstructed more than 100 city landscapes of white-stone Moscow. Due to his research, Vasnetsov created an absolutely new genre — historical landscape. So he secured his name in the arts history separately from his star-brother.
#9
Street in Kitay-Town. Early 18th Century, 1900. Source: wikipedia.org
Apollinariy Vasnetsov’s paintings never were just mere illustrations. The artist paid great attention to the light effects and brought the coloring of the painting to the overall spirit. The case is that before being carried away by historical subjects he worked a lot as a landscape painter. The artist travelled a lot and depicted the nature of Siberia, the Crimea, the Caucasus and the Urals. Later he invested all his acquired skills into the Old Moscow series.
#10
Book Stands at Spasskiy Bridge in the 17th Century, 1902. Source: wikipedia.org
In 1922, Vasnetsov repeated the subject of the 1901 oil painting of the Allhallows Bridge in the graphic arts. He drew the contours with coal and pencil карандашом, and then used water colors. The layout of the painting remained the same: the view from the western side of the Moscow River. But this time the artist depicted the Kremlin on a summer day.
#12
The Kremlin in Its Prime. Allhallows Bridge and Kremlin in the Late 17h Century, 1922. Source: wikipedia.org
#13
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Allhallows Bridge

Creation period
1901
Dimensions
155,3x284,5 cm
Technique
canvas, oil painting
19
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To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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