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Autumn. Study

Creation period
the second half of the 19th century
Place of сreation
the Russian Empire
Dimensions
12x21 cm
Technique
oil, canvas; painting
0
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#2

Isaac Levitan was born into an educated but poor Jewish family who lived near the railway station of Kibarty in Lithuania. His father Ilya Levitan studied to become a rabbi but had to abandon his religious career. He taught foreign languages and worked as a cashier and ticket inspector at railway stations. In search of a better life, the Levitans eventually moved to the outskirts of Moscow in the late 1860s. However, Ilya Levitan failed to find permanent employment in Moscow and continued to rely on casual work to support his family.

Despite the financial difficulties, the parents did not object when their sons decided to attend the Moscow School of Painting, Sculpture and Architecture. At the School, Isaac Levitan became friends with fellow students Konstantin Korovin, Mikhail Nesterov, and Aleksey Stepanov. His teachers included Vasily Perov and Vasily Polenov. However, the one mentor who had the most significant influence on the artist’s development was Aleksey Savrasov. His quote “Paint, study, but most importantly, feel!” became the guiding principle for Isaac Levitan.

In the late 1870s, Levitan began to create his “mood landscapes”, in which he not only depicted nature but also expressed his feelings and emotions. Being unusually sensitive to nature’s beauty, he conveyed the poetic mood inspired by various natural phenomena in his oil paintings and watercolors. Without going into too much detail, he managed to grasp the origins of his feelings. The artist dreamed of creating a House of Landscapes — a large workshop where all Russian landscape painters could work together. His works achieved success at the World’s Fair in Paris and the exhibition in Munich.

Igor Grabar described the artist as follows,

#6

Levitan loved Russian nature with fanatical passion and enthusiasm. Through his special sensitivity and high-toned insight, he managed to incorporate all the thoughts and feelings his comrades and age mates were burning with.

#7

The small study from the collection of the National Gallery of the Komi Republic depicts an autumn landscape. In the foreground, there is a clearing with dried grass. Behind it, there is a forest strip with yellowing small trees and shrubs. Closer to the viewer, on the right, there is a tall birch tree, with its bare branches and scarce leaves. On the left side, there is another tree with yellowing leaves.

#8
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Autumn. Study

Creation period
the second half of the 19th century
Place of сreation
the Russian Empire
Dimensions
12x21 cm
Technique
oil, canvas; painting
0
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To see AR mode in action:
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  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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