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Meadows Flooded

Creation period
1908
Dimensions
124x198 cm
Technique
Canvas, oil
3
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#3
Lukian Popov
Meadows Flooded
#2
Lukian Popov’s painting Meadows Flooded (1908), demonstrates many characteristic features of his creative work. The artist carefully built the genre composition, employed his color and light skills and emphasized the psychological details, despite the fact that the work itself was devoted to a social problem. 

The artist took a long time preparing for painting. Its plot echoes his early painting The River is Playing on which Popov had worked while still studying at the St. Petersburg Academy of Arts. The artist’s wife Vera Popova recalled that the artist had created that painting entirely on the basis of sketches made from nature. Many of the older Itinerants worked in the same way. The artist visited the spring floods of the Ural River together with the models. The group of women he portrayed in more suitable weather in the courtyard of his house, where a fence was specially built for that purpose.
#4
In the center of the picture, there is a group of peasants. Most of them look at the Ural River that has overflowed its banks; the artist’s wife (second from left) is looking away. With restrained colors, the artist conveyed the color of a gloomy day which emphasizes the people’s anxiety and reverie. The flooded river occupies a small part of the canvas and the viewer can imagine the extent of the trouble only by the expression on the peasants’ faces drawn in detail.
For his contemporaries, it was obvious that in this picture Popov not only portrayed a natural disaster, but also hinted at the social tension after the Russian Revolution of 1905. Censorship forbade openly criticizing the authorities, so the recent events are symbolized by the river overflowing its banks. Judging by the concentrated and wary faces of the people, social unrest is continuing to intensify.
#5
Lukian Popov. Under the Red Light, 1910’s
In a similar way, the escalating social conflict of the first Russian Revolution is depicted in Popov’s painting In Red Light of the 1910’s. Here, the outward plot is just as misleading, and only the abundant expressive shades of red hint that this is not just a meeting of friends that has stretched on till morning, but a long political debate about the fate of Russia.
#6
The Agitator (By Sunset), 1906
This being said, Lukian Popov never considered himself a revolutionary and rather took the position of an outside observer. As a counterbalance to his late critical social pictures, in 1913, to commemorate the 300th anniversary of the Romanov dynasty, he painted a portrait of Nicholas II for the assembly hall of gymnasia school for boys. 
#9
Some of his pictures began to be interpreted from a political point of view already under the Soviet regime. For example, the genre work of 1906 By Sunset in the USSR became known under the self-explanatory name The Agitator.
#10
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Meadows Flooded

Creation period
1908
Dimensions
124x198 cm
Technique
Canvas, oil
3
Point your smartphone camera to open in the app
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To see AR mode in action:
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  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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