Born into a family of poor peasants, Lukian Popov observed the resettlement of peasants both in his childhood and in his youth. When the future artist was 3 years old, his family also had to move from the village of Arkhangelskoye to neighboring Orenburg. When a teenager, Popov had to leave his native region once again, moving to St. Petersburg to study painting at the Academy of Arts. He painted several genre pictures of peasants who, for various reasons, were forced to leave their homes and to move to a new place of residence. In 1900 to 1902, the artist created the Settlers in Winter.
Settlers in Winter
Creation period
1900 to 1902
Dimensions
88x152,5 cm
Technique
Canvas, oil
Collection
Exhibition
2
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Lukian Popov
Settlers in Winter
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The picture shows only part of a large peasant wagon train, which is forced to camp in the middle of the steppe. The snow covers the horses’ backs and the peasants’ shoulders; the outlines of people and wagons are obscured by strong snowstorm.
Although this painting is just a sketch, its expressive composition sets an obvious dramatic tone. With its visual center shifted to the left edge, it resembles the famous Barge Haulers on the Volga by Ilya Repin.
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Barge Haulers on the Volga, 1870 to 1873. Sourse: wikipedia.org
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Popov also depicted the hardship experienced by the people looking for a better place to live in his other paintings. In the Settlers among Thunderstorm canvas of the 1900’s, people also suffer from bad weather on the way, and in The Old Peasant Woman canvas of the same time, an elderly woman is depicted whose appearance betrays long wanderings under the scorching steppe sun. The artist began to create sketches dedicated to settlers during the period of his training in painting: for example, in the 1890’s he painted The Settlers’ Camp.
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Lukian Popov. Settlers among Thunderstorm, 1900’s
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This topic was of interest not only to Popov, but also to his colleagues in the Itinerants (Association of Wanderers), of which the artist became a full member in 1903. Nikolay Orlov and Sergey Ivanov emphasized the personal drama of the settlers.
In the centre of his 1889 picture On the Road; Death of a Settler, a deceased peasant is depicted, with a small child and a heartbroken wife next to him. Unlike Ivanov, Popov evaded individual figures in his sketches and demonstrated the enormous scale of peasant migration instead.
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Sergey Ivanov. On the Road; Death of a Settler, 1889. Source: wikipedia.org
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Popov observed migrants not only near Orenburg, but also in other regions of Russia. After graduating from the Academy of Arts, the artist took two paid trips abroad, and for the third time insisted on traveling around Russia. He visited Chuvashia, Mordovia, Bashkiria, Arkhangelsk and Saratov provinces, where he studied the nature, traditions and life of the local population.
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Orenburg Regional Museum of Fine Arts
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Settlers in Winter
Creation period
1900 to 1902
Dimensions
88x152,5 cm
Technique
Canvas, oil
Collection
Exhibition
2
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