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Summer landscape. Pines

Creation period
1870’s
Dimensions
89,8x71,3 cm
Technique
oil on canvas
37
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#1
Alexei Savrasov
Summer landscape. Pines
#2
Alexei Savrasov painted Summer landscape. Pines in the 1870’s. Experts locate the scene near Losiny Ostrov (“Elk Island”) in Sokolniki, a Moscow suburb he used to go to for plein air work. In the late 19th century Sokolniki was a countryside area which did not stand out in any way, but Savrasov fell in love with it as a student. It was a place he visited frequently to paint landscapes. 
 
The painting features two straight pine trees in the middle and behind them to the right, a pine grove half-hidden in haze. The close ranks of trees there accentuate the perceived fragility of the trees in the front. Savrasov used cold blue and violet shades for the background while the sunlit spot in forefront is dominated by warm yellow and pink. 
 
The aerial perspective in the picture is very convincing: the nearby pines can be seen in full detail, the landscape becoming blurred towards the horizon. The artist, who always gave special attention to atmospheric environment, used to say to his disciples: “A landscape is nothing without air! No matter how many birches or firs you put in, whatever you devise, if you fail to paint the air you end up with a lousy landscape”.
#6
Summer landscape. Pines marks the peak of Savrasov’s artistic career. By that time, he was recognized as an experienced landscapist with a particular style. In fact, initially he favored the ideas of Romanticism and, as a student, even copied some canvasses by Ivan Aivazovsky. In Romantic landscapes, nature invariably manifested itself through some formidable spectacle: tempests, rampage of the elements, large-scale panoramic views. Those motives were present in Savrasov’s early paintings. As time went by, however, he discovered for himself a totally different type of lyricism in a quiet landscape, picturing unremarkable thawed patches, puddles of water and pathways among trees. His innovative approach was to find the sublime in the trivial. 
 
It was in the 1870’s that Savrasov painted one of his masterpieces, The Rooks Have Come Back. The painting generated buzz at the very first Peredvizhniki (‘Itinerants’) Artists’ Cooperative exhibition and contributed much to its success, manifesting the Cooperative’s intention to paint authentic scenes of Russia, its unassuming sites and simple landscapes. Savrasov joined the Peredvizhniki board of founders and helped with organizing exhibitions.

Renowned artists such as Vasily Polenov and Isaac Levitan referred to him as their teacher.Renowned artists such as Vasily Polenov and Isaac Levitan referred to him as their teacher.
#7
‘Savrasov strived to find, even in the most simple and trivial things, those intimate, deeply moving and often sad features that are so strongly felt in our native landscape and appeal so irresistibly to our soul. Lyricism in landscape painting and unfailing love to one’s native land – it all started in Russian art with Savrasov’, 
according to Levitan.
#8
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Summer landscape. Pines

Creation period
1870’s
Dimensions
89,8x71,3 cm
Technique
oil on canvas
37
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To see AR mode in action:
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  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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