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Icon “Intercession of Our Lady”

Creation period
the 19th century
Place of сreation
the Russian Empire
Dimensions
44,1x36,5 cm
Technique
wood, levkas, pavoloka, tempera, gilding
0
Open in app
#7

“Intercession of Our Lady” belongs to the type of icons dedicated to the feasts of the Virgin Mary. It depicts a two-part composition. In the upper part, on the background of a church, the Virgin Mary is shown in a golden mandorla in regal robes, with a red omophorion in her spread arms, surrounded by saints.

In the lower part, on a red two-stage ambo, St. Romanus the Melodist is depicted with a scroll. To his left is the Byzantine king Leo, the Byzantine queen Zoya, to the right is Andrew, fool-for-Christ, and his friend Epiphanius. In the margins of the icon, on a green earth, are the Venerable John and Dominica. The palette of the icon includes a bright and varied range of colors.

The formation of the iconography of the feast of the Intercession of Our Lady dates back to the 12th century. The oldest surviving images can be traced to the 13th century, when the first churches and monasteries dedicated to this legend emerged in Russia. In ancient times, the iconography of the Intercession of Our Lady had two independent variants — the Novgorod and Suzdal versions. In the first variant, that of Novgorod, the Virgin’s omophorion is held by angels, whereas in the other one, that of Suzdal (sometimes also referred to as the Moscow school), the Virgin Mary extends her omophorion over the faithful. Subsequently, new compositional arrangements were formed, including those combining the experience of the Novgorodians and Suzdalians.

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Icon “Intercession of Our Lady”
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The iconography, regardless of the variant, more often combines two layers: the first one is “historical”. It illustrates events from the life of St. Andrew the Fool-for-Christ, when the Mother of God appeared to him during a liturgical service in the Church of Blachernae (Constantinople) surrounded by saints. The event is unfolding inside the temple, which is emphasized in the icons. The second layer symbolically demonstrates the unity of the Churches — earthly and heavenly ones. Virgin Mary appears in the icons as an intercessor for the entire human race. The Mother of God is more often depicted frontally, which emphasizes this idea of intercession.


The Feast of the Intercession was established in Russia in the 12th century and is celebrated on October 14 (October 1, O.S.). At this time, the harvest would be coming to an end, and after the holiday it was customary to arrange weddings. Hence the association of the sacred veil (omophorion) of the Mother of God with the wedding veil and snow: the time of the feast was considered the boundary between autumn and winter. On the Feast of the Intercession of Our Lady, girls would ask the Mother of God for marriage saying,

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Oh, cover my hapless head with a pearl headband, a golden neck flap!

#6
Icon “Intercession of Our Lady”
#4
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Icon “Intercession of Our Lady”

Creation period
the 19th century
Place of сreation
the Russian Empire
Dimensions
44,1x36,5 cm
Technique
wood, levkas, pavoloka, tempera, gilding
0
Point your smartphone camera to open in the app
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To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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