In the 20th century literature, the subjective vision of nature often prevails over its objectivity, the emotionally intense perception of nature triumphs over its ‘landscape’ side, the concreteness seems to dissolve in fog and twilight.
Andrei Ilyich Kurnakov portrayed his emotional vision of the summer landscape in the picture. This is not just a canvas with a specific landscape - it is a collective image, a conversation with a fellow countryman, favorite writer, author of ‘A Sportsman’s Sketches’ Ivan Sergeevich Turgenev. In this wonderful land, “in his beloved Mtsensk district, ” he spent his childhood and adolescence, his youth began. Everything on this Russian land was infinitely dear to Turgenev”s heart: the pale blue of the endless distances, and the endless sea of waving rye, and islands of birch groves on gentle hills, and cool oak forests, and rivers gleaming in the sun, and wide green valleys, where bonfires are burning at night and the stomping and neighing of horses is heard.
Andrei Ilyich Kurnakov portrayed his emotional vision of the summer landscape in the picture. This is not just a canvas with a specific landscape - it is a collective image, a conversation with a fellow countryman, favorite writer, author of ‘A Sportsman’s Sketches’ Ivan Sergeevich Turgenev. In this wonderful land, “in his beloved Mtsensk district, ” he spent his childhood and adolescence, his youth began. Everything on this Russian land was infinitely dear to Turgenev”s heart: the pale blue of the endless distances, and the endless sea of waving rye, and islands of birch groves on gentle hills, and cool oak forests, and rivers gleaming in the sun, and wide green valleys, where bonfires are burning at night and the stomping and neighing of horses is heard.