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Lenin’s Speech

Creation period
the 1930s
Place of сreation
Penza, the USSR
Dimensions
50,4x65,3 cm
Technique
cardboard, gouache, tempera; painting
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In the mid-1920s and the 1930s, Ivan Silych Goryushkin-Sorokopudov created a series of historical compositions dedicated to Vladimir Ilyich Lenin. The artist spoke about this with great emotion in his diary, noting the significance of realistic art aimed at conveying the truth of life and the most significant events of our time in a true-to-life manner.

The image of Vladimir Lenin attracted the attention of painters, sculptors, and graphic artists. For more than two decades, Ivan Goryushkin-Sorokopudovhas worked hard on this topic, striving to capture in his sketches the people’s enthusiasm related to the construction of a new life. In his series, the Russian and Soviet painter explored the image of Lenin as the leader of the people, the leader of the revolution, and the tragedy associated with his death. This is demonstrated by a number of sketches of “Lenin’s funeral” by Ivan Goryushkin-Sorokopudov in the collection of the Penza Art Gallery.


In the painting “Lenin’s Speech, ” which the artist completed in the 1930s, Vladimir Lenin is depicted showing the way forward to the Red Army soldiers with a fast and excited movement. He is portrayed as an ardent and passionate speaker.


The painting has a dynamic composition. It depicts Vladimir Lenin addressing the people from the podium. His large figure stands out clearly. Lenin’s presence in the painting conveys a sense of strong-willed determination. The movement in his posture and facial expressions made him a challenging subject for the artist to capture.
Around the podium, on the snow, the artist painted people walking and riding in carriages under red banners. In the background, on the right side, he depicted technical structures conventionally. The dark blue domes of a church can be seen in the center.


In general, this series of historical compositions was associated with the artist’s desire to show the deep national character of Lenin’s ideas and his close connection with the people. The sketches, which are extremely diverse in their composition, rhythm, and color palette, show the artist’s attempt to find an independent approach to a complex subject. Although the sketches were not completed paintings, they convey the artist’s emotional excitement.
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Lenin’s Speech

Creation period
the 1930s
Place of сreation
Penza, the USSR
Dimensions
50,4x65,3 cm
Technique
cardboard, gouache, tempera; painting
0
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Ivan Goryushkin-SorokopudovCollection

Portrait of Klavdiya Goryushkin-Sorokopudova
Portrait of Klavdiya Goryushkin-Sorokopudova
Penza Art Gallery named after Konstantin Savitsky
Portrait of Taisiya Sborshchikova-Podolskaya
Portrait of Taisiya Sborshchikova-Podolskaya
Penza Art Gallery named after Konstantin Savitsky
From the Cult of the Past
From the Cult of the Past
Penza Art Gallery named after Konstantin Savitsky
Portrait of the Penza Art School Professor
Portrait of the Penza Art School Professor
Penza Art Gallery named after Konstantin Savitsky
Sketch for the painting “The Uglich Case”
Sketch for the painting “The Uglich Case”
Penza Art Gallery named after Konstantin Savitsky
Illustration to Alexander Kuprin’s “Olesya”
Illustration to Alexander Kuprin’s “Olesya”
Penza Art Gallery named after Konstantin Savitsky
Self-portrait. The 1930s–1940s
Self-portrait. The 1930s–1940s
Penza Art Gallery named after Konstantin Savitsky
The Prisoners Are Here
The Prisoners Are Here
Penza Art Gallery named after Konstantin Savitsky
Portrait of the Sculptor Konstantin Klodt
Portrait of the Sculptor Konstantin Klodt
Penza Art Gallery named after Konstantin Savitsky
Prince Igor
Prince Igor
Penza Art Gallery named after Konstantin Savitsky
Revolution
Revolution
Penza Art Gallery named after Konstantin Savitsky
Market Day in an Old Town
Market Day in an Old Town
Penza Art Gallery named after Konstantin Savitsky
Cover of the “Niva” magazine
Cover of the “Niva” magazine
Penza Art Gallery named after Konstantin Savitsky
The Judgment of God
The Judgment of God
Penza Art Gallery named after Konstantin Savitsky
The Kiss
The Kiss
Penza Art Gallery named after Konstantin Savitsky
Self-portrait. The 1930s
Self-portrait. The 1930s
Penza Art Gallery named after Konstantin Savitsky
Portrait of the Artist’s Mother-in-Law
Portrait of the Artist’s Mother-in-Law
Penza Art Gallery named after Konstantin Savitsky
Fallen Bells
Fallen Bells
Penza Art Gallery named after Konstantin Savitsky
Portrait of General Nikolay Petrov
Portrait of General Nikolay Petrov
Penza Art Gallery named after Konstantin Savitsky
Portrait of Nina Savkova
Portrait of Nina Savkova
Penza Art Gallery named after Konstantin Savitsky
To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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