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Exaltation of the Holy Cross

Creation period
Mid-18th century
Dimensions
61x40,5 cm
Technique
Wood, gesso, tempera
4
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#1
Unknown artist
Exaltation of the Holy Cross
#2
In the middle of the 18th century, an unknown Russian master painted the Exaltation of the Holy Cross icon. For the plot, he used the legend of discovering the Cross on which the Messiah was crucified. According to the legend, the elderly mother of the Roman emperor Constantine the Great, Elena, went to Jerusalem in search of the crucifix. Arriving to the city at about 326, the pilgrim, with the support of her son and the bishop of Jerusalem, Macarius, began excavations at Calvary in the hope of finding some relics of the Passion of Christ, the last days of the Savior.

Elena managed to find the cave of the Holy Sepulcher, where Jesus had been buried after the crucifixion. Not far from it, three crosses were found. According to one version, the Cross of Jesus Christ was identified when a dying woman healed touching it. According to another version, a dead man who was carried by the excavation site was resurrected when his hand brushed on the Cross. Hence the name of the Cross, the Life-giving Cross. Constantine the Great erected a temple in honor of the Resurrection of Christ on the site of the acquisition of the Holy Sepulcher and Calvary.
#5
The icons depicting the Exaltation of the Cross were known in Byzantine art from the 9th century; in Russian iconography, the plot appeared only in the 15th century. In the Exaltation of the Holy Cross icon from the museum’s permanent exhibition, the characters are depicted against the background of the three-domed church. Macarius is in the center of the composition.
Standing on a semicircular pulpit, he erects the Cross, raising the relic above his head and showing it to the world. Macarius is supported by young deacons with long hair flowing over their shoulders; Emperor Constantine and Tsarina Elena venerated as saints equal to the Apostles are depicted on the right and left.
#8
The master painted the faces with brown ocher with contrasting whitewashing strokes that glare over the dark tone. He built bright color on a combination of red-burgundy and greenish-brown shades. These colors are characteristic of the folk style in icon painting. The author depicted the architecture of the Jerusalem Temple and the pointed peaks of the Holy City with waving flags on top of them in a deliberately conventional, decorative style.

Experts believe that the image was part of the festive tier of the Resurrection Church iconostasis in the village of Ostrov in Gavrilov-Yamsky district of the Yaroslavl region. This is evidenced by the stylistic features of the image such as attention to small details, ornaments decorating the clothes and temples, bright red colors, face features. Other icons from this tier, created by Yaroslavl craftsmen in the middle of the 18th century, are kept in the Yaroslavl Art Museum.
#9
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Exaltation of the Holy Cross

Creation period
Mid-18th century
Dimensions
61x40,5 cm
Technique
Wood, gesso, tempera
4
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To see AR mode in action:
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  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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