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To see AR mode in action:

1. Install ARTEFACT app for iOS or Android;

2. Find the exhibition «Dagestan Museum of Fine Arts»

3. Push the «Augmented reality» button and point your phone's camera at the exhibit;

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Temple Pendants

Creation period
Late 19th – early 20th century
Dimensions
13,5x4,3 cm
Technique
Silver, colored paste, etching, blackening, filigree work, metal weaving, coral:
4
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#1
Temple Pendants
#2
Temple pendants are considered one of the oldest forms of ornament used primarily by two peoples of Dagestan, the Avars and Dargins.

The pendants came in the shape of a ring or rosette and were fixed onto the so called chokhto, a very popular among Dagestan women headdress resembling a cape. In everyday life women wore it to protect their hair from dust and mud; on holidays they covered it with their best scarves and decorated with silver ornaments. Occasionally, one pendant was connected to the other by a silver chain fixed at the back of the woman’s head.
#5
The piece of jewelry from the Dagestan Museum of Fine Arts is shaped like rings with dangling chains attached to them. They are relatively small — mountain dwelling women often wore heavier pendants. Such items usually served as protective charm. Dagestan people believed that silver protects its female owner from evil eye and spells.
#6
The woman would put on temple pendants like these on holidays only. Wearing a single pendant meant that the woman was a new widow.
#3
Varieties of temporal pendants. Source: P.S. Gamzatova Dagestan Museum of Fine Arts
#7
The Dagestan piece has a cast floral ornament set inside the ring decorated by granulation (small silver granules) and semi-precious stones. The floral pattern is an allusion to the mythological tree of life associated by the local people with abundance and prosperity. The top of the plant or its branches would usually have birds sitting on either side of the stem, cockerels each holding a small grain in its beak. That bird was one of the most ancient emblems of Dagestan and supposed to protect women.

Occasionally, the bird was replaced by a crescent with a star as exemplified by the museum collection piece. The crescent is the main symbol of Islam frequently seen on pieces manufactured by jewelers in South Dagestan. The jewelry style closely resembles that of the Middle Eastern countries, especially the art of Iran, which explains the wide diversity of colors, a lot of colored glass inserts and other bright accents. In these pendants, blue and orange colored paste inserts imitate turquoise and coral.

#8
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Temple Pendants

Creation period
Late 19th – early 20th century
Dimensions
13,5x4,3 cm
Technique
Silver, colored paste, etching, blackening, filigree work, metal weaving, coral:
4
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Open in app
To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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