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The Entry of the Lord into Jerusalem

Creation period
the 17th century
Dimensions
88x71 cm
Technique
wood, tempera
8
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#1
The Entry of the Lord into Jerusalem
#2
The icon ‘The Entry of the Lord into Jerusalem’ holds a special place in Christian iconography. The arrival of Jesus Christ in the city is described in detail in all four Gospels. Many icon painters tried to convey the symbolism of this event, which took place a week before the crucifixion of Christ. It was depicted as a triumphal entry since people believed that it was the last joyful day in the earthly life of the Savior.
 
At the time when Jesus began his ministry, Judea was under Roman rule: civil disturbances constantly occurred in the kingdom, rebellions broke out, and the Jews were anxiously waiting for the Messiah, who was to become their king and free them. Jesus was a descendant of David, and according to the Old Testament prophets, it was the descendant of the Davidic line who would be the deliverer of the Jewish people. Therefore, the people welcomed the Savior with celebrations; thousands of people heeded his sermons.
 
An unknown master painted the icon ‘The Entry of the Lord into Jerusalem, ” depicting Christ with his head bowed, in a restrained position, and riding not on a horse, but on a donkey. Usually, commanders or kings captured the city and entered it on horseback or on chariots. Jesus wanted to show the people that he came in peace. He blesses people with his right hand, including the children who follow him and spread the clothes before the donkey — this was traditionally done when meeting important guests.
#3
The Book of Zechariah says that the Messiah is “humble, riding on a donkey” (Zech. 9:9).
#4
The apostles are depicted on the left of the icon. They follow the Savior, and anxiety is visible on their faces — this is how the icon painter tried to convey the fear of Christ’s followers for His future. On the right side, there are Jerusalem citizens in festive clothing. They came to the city gates to meet the Savior with palm branches, which were considered a symbol of triumph and joy in those days.

The icon ‘The Entry of the Lord into Jerusalem’ belongs to the Moscow school of icon painting, developed in the era of strengthening the Grand Principality of Moscow.

The art of the Moscow school of icon painting in the 14th century was a synthesis of local traditions and advanced trends in Byzantine art. Its rise in the late 14th century — early 15th century was associated with the work of famous iconographers: Theophanes the Greek, Andrei Rublev, Daniel Chyorny. Their art traditions were translated into the icons and paintings of Dionisius, distinguished by precise proportions, festive colors, and balanced compositions.
#5
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The Entry of the Lord into Jerusalem

Creation period
the 17th century
Dimensions
88x71 cm
Technique
wood, tempera
8
Point your smartphone camera to open in the app
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Open in app
To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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