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To see AR mode in action:

1. Install ARTEFACT app for iOS or Android;

2. Find the exhibition «Man. Writer. Medical doctor»

3. Push the «Augmented reality» button and point your phone's camera at the exhibit;

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Display panel №5, Moscow

Place of сreation
Ялта, Крымский полуостров
Technique
фотография, монтаж
2
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#1
Display panel №5, Moscow
#2
In spring 1886, the writer DmItry Grigorovich whose picture is in the top left corner of the display panel, sent a letter to Anton Chekhov. A legendary for the writer man told him: ‘You have a real talent, the talent that pushes you far ahead of other writers of the new generation’. Grogorovich made that conclusion upon reading a collection of Chekhov’s “Motley Stories”. It was the second book by Chekhov. The cover for the book was designed by artist FyOdor Shekhtel. Next to it on the stand there is a picture of the writer taken in 1888.

Chekhov dedicated to Dmitry Grigorovich his next book, “At Dusk”. The picture of the book cover is in the top right corner of the stand. Chekhov was again praised by the old writer: “Your stories “Dreams” and “Agafya” could only be written by a real word-painter… it’s all true to life, exactly as it should be in reality …’. The book was valued high by others, too. The writer was awarded Pushkin prize for that collection of stories “At Dusk”. That prize was awarded by the Academy of Science for the best piece of fiction with excellent aesthetic merits. It was the first recognition of Chekhov’s talent. 

From 1887 on, Chekhov’s interest to theatre in his work started growing. The premiere of Chekhov’s play ‘Ivanov’ took place in the Moscow theatre of Fyodor Korsh. The picture in the frame is a playbill. In October 1887, Chekhov wrote to his brother Alexander: ‘I wrote the play unexpectedly, after a conversation with Korsh. I went to bed, thought of a subject, and put it in writing. It took 2 weeks, or, to be more correct, 10 days’. In the theatre, the play was met with admiration, both by the actor Vladimir Davydov whom Chekhov wanted to act as Ivanov, and by Korsh himself. But at the very first rehearsals it became clear that the actors failed to understand the play. Chekhov wrote to his brother:
#3
‘Actors fail to understand it, they talk nonsense, take other parts than they should, and I’m fighting with them because I know that unless the actors are matched to roles the way I see it, the play will be a fiasco’.
#4
The last five pictures on the display panel have to do with Chekhov’s staying in the Ukraine. In 1888 and 1889, the Chekhov family rent an ancillary building for summer time, in the old estate of the Lintvaryovs located near the city of Sumy, Kharkov governorate, in the PsyOl river oxbow (name of the location, Luka, is derived from the Russian for ‘river oxbow’). The pictures show the outhouse of the Lintvaryov family estate, the mill on Luka, a group portrait of the Chekhov family, of MikhaIl Chekhov (the writer’s brother) sketching on Luka, and summer holidats of the Chekhov family on Luka.
#5
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Display panel №5, Moscow

Place of сreation
Ялта, Крымский полуостров
Technique
фотография, монтаж
2
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To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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