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The Mandylion

Creation period
XIX century, 2nd half
Dimensions
34x27,9 cm
34х27,9х2 cm
Technique
Wood, tempera, painting
Exhibition
1
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#1
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The Mandylion
#4
The legend of the Mandylion, or the Holy Mandylion of Edessa, or the Savior Not Made by Hands, emerged in the first half of the IV century. The story of the icon is linked to Syrian King Abgar of Edessa. The legend goes that King Abgar contracted leprosy. When he heard of the miracles worked by Jesus Christ, he sent his painter Ananias to Jerusalem to paint the Savior’s wonderworking portrait. Ananias did attend a sermon given by Christ, but he lost courage to the degree that when he saw the Savior in his flesh, he failed his painting mission. Christ saw that and after washing his face he wiped it dry on a towel, a shawl, and a miraculous image of his face was imprinted on it. 
 
The painter came back with Christ’s image that had not been made by hand and brought it to King Abgar. The piece of fabric on which Christ had wiped his face had turned out wonderworking, and King Abgar was cured. Christ’s beard was wet with water and left an imprinting on the fabric. That was how the Mandylion got its second name in some chronicles, Savior the Wet Beard. The legend also goes that the shawl with Christ’s face on it is the first icon in the history of Christianity.
#2
The story of the miraculous properties of the fabric with Christ’s image on it triggered the appearance of a new kind of icon, that is, the Mandylion. The centerpiece of such icons is the Savior’s head encircled by a halo. To his left, is Saint Basil, and to his right is Blessed Grand Duchess Elena of Russia in her imperial vestment. Christ’s age is the age he was in at the time of the Last Supper.
The upper part of the icon contains a commemorative inscription in dedication to the ceremonial relocation of the Holy Mandylion of Edessa n from Edessa to Constantinople on August 16, 944. The shawl’s white color stands for the Savior’s divinity, spirituality, and impeccability. The upper corners of the fabric are tied in knots. The inscription at the bottom reads Not Made by Hands and Image of our G-d, Jesus Christ.
#6
There are two known types of the Mandylion: Savior on the shawl and Savior on clay. In the latter instance, Christ is painted on a clay plate or a clay tile. The Mandylion was an element of church murals, and it was placed at the foot of the drum of church domes.
#8
This icon used to be owned by the Yesipovs, a noble family from Tambov Governorate. The family owned the Belaya Yaruga estate in Borisoglebsky parish where they bred pedigree horses, cows, and bulls. In 2008, descendants of the Yesipov family donated the icon to the Iskitim Municipal Museum of Arts and History. The author of this Mandylion is not known, and specialists believe that the icon can be attributed to the XIX century.
#9
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The Mandylion

Creation period
XIX century, 2nd half
Dimensions
34x27,9 cm
34х27,9х2 cm
Technique
Wood, tempera, painting
Exhibition
1
Point your smartphone camera to open in the app
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To see AR mode in action:
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