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The Mandylion

Creation period
XIX century, 2nd half
Dimensions
31,2x26 cm
31.2х26х2 cm
Technique
Wood, tempera, painting
Exhibition
2
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#3
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The Mandylion
#5
Since the old times, the Mandylion, or the Savior Not Made by Hands, has been a popular holy relic in the Russian orthodox tradition. According to the legend, it was made by the Savior himself. The legend goes that when Syrian King Abgar of Edessa contracted leprosy, he sent Ananias, his court painter, to paint a wonderworking portrait of Christ. Ananias failed his mission, and Jesus picked up a piece of fabric, a towel or a shawl, to wipe his face on it, and a miraculous image of his face was imprinted on it. Ananias brought the imprinted image back to his master, and the latter was cured. Ever since, icon-painters have taken to painting Christ’s head on fabric, and the Mandylion was not painted on icons only but at the foot of the drum of church domes. 
 
The Siberian Mandylion of the XIX c. is a quick-painted icon. This means that the image of Christ is simplified, without much detailing, and the knots on the fabric are only but slightly traced. This very icon was painted by some an amateur painter: the color palette is very simple and cartoonish; the painting is very bright and somewhat naïve and ingenuous. 
 
Despite the presence of folk decorative elements, the image is nevertheless canonic. The Savior’s halo is shaped as a full circle and, unlike halos of saints, it has a cross painted inside it. To the right, left and top of the Savior’s head, there are three Greek letters forming the word the Being and pointing out at the divinity of Jesus Christ, and those letters are: Omicron, Omega, and Nu.
#2
The genre of folk icon emerged during mass forced reallocation of peasants in the late XIX c. – early XX c. to Siberia. The migrants were driven out to Siberia from various places, and that also affected the style of icon painting. The composition of Siberian icons, their technique, and imagery show signs of Novgorod, Suzdal, and south-Russian painting traditions. 
 
Icons were painted by self-taught masters from among the peasants that is why they often relay simplified Biblical stories and folklore elements. Such folk icons were easy and relatively cheap to make. The craft of icon painting took root in cities and larger villages with advanced trading contacts and good transport connection.
One of such settlements were the village of Suzun in the Altai Mountainous District. Thanks to the famous Nikolskaya Fair, where they sold folk-made icons, the settlement won fame throughout Siberia.
 
Suzun icon-makers supplied icons in Siberia and far outside it, to merchants in Kazan, Nizhny Novgorod and other cities. Between 1766 and 1847, Suzun had a copper smelter and a mint, which produced Siberian copper coins, and it was the only mint from the Urals to the shores of the Pacific Ocean. The settlement became the center of distribution of Suzun folk icons.
#6
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The Mandylion

Creation period
XIX century, 2nd half
Dimensions
31,2x26 cm
31.2х26х2 cm
Technique
Wood, tempera, painting
Exhibition
2
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To see AR mode in action:
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  2. iOS or Android;
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  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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