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To see AR mode in action:

1. Install ARTEFACT app for iOS or Android;

2. Find the exhibition «Stone-Cutting and Jewelry Art of the Urals»

3. Push the «Augmented reality» button and point your phone's camera at the exhibit;

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Tabletop

Creation period
the 19th century
Place of сreation
the Urals
Dimensions
53x35,2x2 cm
Technique
Fominsky marble; carving, grinding, polishing
1
Open in app
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Tabletop
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The Museum of Stone-Cutting and Jewelry Art houses a rectangular tabletop. Its dimensions are 53 by 35 centimeters. It was made of Fominsky marble — a yellow-gray stone that was mined in the vicinity of the city of Dvurechensk in the Urals. The pattern on its surface resembled both the tree growth rings and a landscape: in its colored layers and veins, one could recognize rivers and lakes, rocky shores, mountains and a cloudy sky.
 
In the Urals, marble has been mined since February 1721. The first head of the Ural and Siberian mining plants, Vasily Tatishchev, suggested to build a new mining plant on the Iset River — over time the city of Yekaterinburg formed around it. In addition to the extraction of marble and other valuable minerals, Tatishchev was engaged in jewelry art development.
 
On July 26, 1726, Catherine I signed a decree “On the appointment of Swedish lieutenant Christian Ref and on training in the stone art in the Urals”. Due to this document, in addition to the mining plant, a small workshop was established in Yekaterinburg — later it became the famous Imperial Lapidary Factory. According to the contract, Ref was to serve in Russia for five years,
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Not only to find stones, shungite, marble and others, but also to cut them, facet and prepare them, and to thoroughly teach Russian students entrusted to him in that art.
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Marble at that time was necessary for large architectural details that decorated buildings of the new Russian capital — Saint Petersburg. The masters of the Gornoshchitsky Marble Factory, a branch of the Yekaterinburg Lapidary Factory, specialized in working with this stone. They made floorboards, window sills, wall coverings, tabletops of various shapes: round, square, hexagonal and octagonal ones.

Boards for tables from the Urals were usually sent to St. Petersburg separately, without legs. The legs and the frame were made in the capital: it was believed that local masters’ works were more elegant and harmonious. Most often craftsmen made them of wood or metal and decorated with them carved or forged patterns. Ready-made tables were bought for imperial palaces and mansions of aristocrats.
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Tabletop

Creation period
the 19th century
Place of сreation
the Urals
Dimensions
53x35,2x2 cm
Technique
Fominsky marble; carving, grinding, polishing
1
Point your smartphone camera to open in the app
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Open in app
To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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