This airy landscape with snow-white clouds and a deep sky embodies the character of its author, famous Russian artist Konstantin Kryzhitsky. According to memoirs of his contemporaries, the painter was a sensitive, honest and very ingenuous person, who often walked in the clouds. But there was no place for negligence or absent-mindedness in his work: Kryzhitsky carefully executed even the minutest details. In The Lake here on display, one can see a reflection of every cloud and occasional ripples caused by the wind on the generally smooth, mirror-like water surface.
The Lake
Creation period
1896
Dimensions
54x85 cm
54 × 85 cm
54 × 85 cm
Technique
Oil on canvas
Collection
11
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Konstantin Kryzhitsky
The Lake
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Konstantin Kryzhitsky was born in a merchant’s family. He was fond of arts from an early age, and began to attend an art school in Kiev. In 1877, he enrolled into the landscape class of the Academy of Arts. In 1884, he was awarded a grand gold medal and, merely five years later, he became an acclaimed academician of painting.
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Going from the Fair, late 19th century, collection of the State Vladimir-Suzdal Museum Reserve
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Купальня. Конец XIX в. Собрание ГВСМЗ.
Kryzhitsky worked mostly in oil and watercolor, sometimes in pencil. Landscape was his most preferred genre, and the artist found inspiration in travels across Ukraine and in St. Petersburg suburbs. Kryzhitsky also traveled abroad, took part in international exhibitions, and a few prestigious awards were conferred on him during his lifetime.
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Kryzhitsky’s landscapes were exhibited every year at the academy’s art shows and at those of the Society of Russian Watercolorists. They enjoyed invariable success among the museum-going public, critics and art collectors.
Seashore, 1901, collection of the State Vladimir-Suzdal Museum Reserve
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Kryzhitsky was a co-founder of the Arkhip Kuindzhi Society. Kuindzhi had arranged art shows for his pupils, paid them allowances, and did his best for the artists to be comfortably provided for. Kryzhitsky continued his friend’s cause. He wrote: ‘I began to organize a society named after Kuindzhi, hopeful to unite artists in one friendly family, without party or religious bias, as I do believe that only by a joint effort can they contribute to a common cause, the cause of Russian art, which is equally dear to all of them.’
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A Mountain Lake, 1906, collection of the State Vladimir-Suzdal Museum Reserve
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‘I treat other people’s work with due respect, ” Kryzhitsky wrote. ‘And it is with utmost caution that I touch other people’s souls.’ However, his peers did not show the same respect for the delicate painter.
In the 1910s, a hate campaign was unleashed against Kryzhitsky. The painter was accused of plagiarism: His ill-wishers said he had stolen the subject of one of his pictures from Yakov Brovar. In reality, he painted that landscape on the basis of a photograph he had made in the Białowieża Forest before. The photo was published and circulated on the market, and there is an assumption that Brovar could have used it as well.
However, tabloids echoed that rumor, and oversensitive Kryzhitsky could no longer stand nasty lies. In 1911, he hanged himself in his study, leaving a suicide note in which he honestly described the tragic situation.
In the 1910s, a hate campaign was unleashed against Kryzhitsky. The painter was accused of plagiarism: His ill-wishers said he had stolen the subject of one of his pictures from Yakov Brovar. In reality, he painted that landscape on the basis of a photograph he had made in the Białowieża Forest before. The photo was published and circulated on the market, and there is an assumption that Brovar could have used it as well.
However, tabloids echoed that rumor, and oversensitive Kryzhitsky could no longer stand nasty lies. In 1911, he hanged himself in his study, leaving a suicide note in which he honestly described the tragic situation.
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The Lake
Creation period
1896
Dimensions
54x85 cm
54 × 85 cm
54 × 85 cm
Technique
Oil on canvas
Collection
11
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