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To see AR mode in action:

1. Install ARTEFACT app for iOS or Android;

2. Find the exhibition «Culture and Way of Life of the Adyghes»

3. Push the «Augmented reality» button and point your phone's camera at the exhibit;

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Model of the Adyghe homestead

Creation period
2001
Dimensions
35x220x127 cm
35x220x127 cm
Technique
Wood, straw, styrofoam
17
Open in app
#1
O.L. Pletneva, V.Yu. Podlepich
Model of the Adyghe homestead
#2
Adyghe home-building culture has long traditions. Circassians settled on such territories which had adjacent agricultural land, hayland, forests and water sources. 

The model presented in the Museum reproduces an Adyghe flatland homestead. Usually it consisted of two courtyards surrounded by a common fence but separated from one another.

The central place of the homestead was occupied by a big house where the whole family lived, uneshkho. It was located in the main courtyard with its side to the entrance from the street. The Adyghe people built their homes from wickerwork structures. They did not use stone because they did not want anyone to suspect them of cowardice or trying to hide themselves from a peril. They did not use nails or metal staples but connected individual elements simply by cutting one into another. The house was plastered over several times inside and outside with clay mixed with straw and then whitewashed. The roof - usually a hipped roof - was covered with reed, straw or sedge to protect the house from rain and heat. A special canopy supported by wooden columns driven into the ground was erected along the house perimeter.
#6
Inside the Adyghe house was divided into two parts with two separate entrances: the right-hand one for men and the left-hand one for women. This arrangement allowed young women to observe the ‘custom of avoidance’ not to show themselves to older men.
The interior of the Adyghe home was modest. An obligatory attribute was a hearth with a smoke vent plastered over with clay. The customary set of furniture included low wooden couches covered with mats and pillows, benches, stools, little three-legged tables. Various kitchenware items were kept in open wall cupboards.
#7
The Circassians were famous for their hospitality. A guest, irrespective of their faith or nationality was something sacred for them. So, they erected a guesthouse, kh’akchesh, in the best place of the central courtyard. Next to it was a tethering-post, a branching tree in the shade of which the traveller could rest. The doors to the guesthouse were open day and night, and the guest could enter it at any time.
#9
Adyghe writer Adil-Girei Keshev wrote:
“The kunak”s room [shelter for guests – editor”s note] for a Circassian is what coffee houses, clubs, or pubs are in Europe, the huge difference being that anyone can enter the kunak”s room free of charge. Circassians use it to eat, drink, make merry courtesy of the host, discuss their business and share so much news that no newspaper columns will be long enough for it”.
#10
All household outbuildings were also located in the main courtyard. The model has a bakery not far from the main house, next to it a henhouse, then two wicker granaries and a shed for agricultural implements. 

Adjacent to the main courtyard were a cattle yard with a manger for fodder and an area with all the outbuildings for thrashing and hay drying. An outhouse would be placed in a separate corner. There were always two – for men and for women, separately.
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Model of the Adyghe homestead

Creation period
2001
Dimensions
35x220x127 cm
35x220x127 cm
Technique
Wood, straw, styrofoam
17
Point your smartphone camera to open in the app
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Open in app
To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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