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Napoleon Bonaparte. Bust

Creation period
early 19th century
Place of сreation
Paris, France
Dimensions
29x15x13 cm
Technique
bronze
0
Open in app
#4

Napoleon Bonaparte was a commander and French government figure of the late 18th — early 19th century. In his novel “War and Peace”, Leo Tolstoy was strongly opposed to the idolization of Napoleon. The writer saw Bonaparte as an aggressor who invaded Russia, burned down its towns and villages, killed people and destroyed great cultural values.

In the first parts of the novel, Tolstoy speaks with malicious irony about the admiration for Napoleon that arose in the highest secular circles of Russia after the Treaties of Tilsit. The writer characterizes these years as “a time when the map of Europe was redrawn with different colors every two weeks” and Napoleon “was convinced that no intelligence, persistence or consistency is needed to succeed.”

Leo Tolstoy showed that there was no meaning to Napoleon’s actions, except the need for satisfying his whims and ambitions, but “he believed in himself, and the whole world believed in him.” Each of the novel’s characters has their own attitude toward the French emperor: Pierre Bezukhov saw “the greatness of the soul” in Napoleon, Anna Scherer — a villain and the embodiment of the French Revolution. Prince Andrey understood the cruelty and despotism of Napoleon, and his father, old Bolkonsky, complained that there was no Suvorov around to show Bonaparte what it truly means to fight.

Leo Tolstoy was not very objective towards Bonaparte:
#5

[He] acted like a child who, holding a couple of strings inside a carriage, thinks he is driving it.

#6

However, Napoleon was going strong in the war with Russia and reached Moscow, even though in the end he was defeated by his adversary who was “the strongest in spirit”, as Tolstoy put it. Napoleon appears in the novel as a narcissistic and arrogant ruler of France, intoxicated with success and blinded by fame.

The writer described Bonaparte with obvious distaste as a “little man” with an “expression of imperial welcome”, “chest and belly involuntarily protruding”, “short legs” and “fat thighs”. Tolstoy’s Napoleon is a “superhuman” for whom “only what took place within his own mind” was of interest, and “nothing outside himself had any significance for him, because everything in the world, it seemed to him, depended entirely on his will.” It is no coincidence that the word “I” was Napoleon’s favorite word.

According to Tolstoy, as much as Mikhail Kutuzov expresses the interests of the people, Napoleon is as shallow as he is egocentric. Comparing the two great generals, Tolstoy concludes:
#7

And there is no greatness where simplicity, goodness, and truth are absent.

#9
Napoleon Bonaparte. Bust
#8
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Napoleon Bonaparte. Bust

Creation period
early 19th century
Place of сreation
Paris, France
Dimensions
29x15x13 cm
Technique
bronze
0
Point your smartphone camera to open in the app
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To see AR mode in action:
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