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Our Lady of Vladimir

Creation period
First third of XVIII century
Dimensions
31,4х25,8 сm
Technique
Wood, tempera
3
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#3
Unknown Author
Our Lady of Vladimir
#2
The icon ‘Our Lady of Vladimir’ is attributed to the type of ‘Eleousa’ or ‘The Virgin Mary of Tenderness’. On such icons the Holy Virgin and the Holy Infant Jesus touch each other with their cheeks and Jesus Christ embraces his mother by the neck. The first Eleousa was painted by Apostle Luke in the first century AD. The authorship of ten icons is attributed to the Apostle; only their replicas have survived through the centuries. 

In ancient Rus’ the image first appeared in the year 1130. The icon was brought from Byzantium by Metropolitan Mikhail as a gift to Prince Mstislav Vladimirovich. In contrast to other images of Eleousa, the Infant on this icon was painted with a doubled up left leg – his foot is visible from under the robes. The icon was dispatched to the Mother of God Nunnery in Vyshgorod; and in 30 years Prince Andrey Bogolyubsky moved it to the Assumption Cathedral in Vladimir. Since that time the icon has been named Our Lady of Vladimir. 
#4

About icon

#5
The image from the collection of Rybinsk Museum Reserve was painted in the beginning of XVIII century. It belonged to the nobility of Mikhalkovs who resided in the estate Petrovskoye close to Rybinsk. In 1830 the Mikhalkovs dismissed their peasant to become a monk in Yugskaya Dorofeev Desert Monastery (poustinia) and gave him the icon of Our Lady of Vladimir. Thus, the image emerged in Yugsky Monastery. 

The inscription on the back side of the icon said as follows: ‘With this image the Mikhalkovs, Sergey Vladimirovich and his spouse Maria Sergeeva, gave blessings to their servitor Foma or Theophane Grigoriev on April 27, 1830. And such image was painted in approximately 1650 by the grandfather of Sergey Vladimirovich, Peter Dmitrievich Mikhalkov, in Petrovskoye closed to Rybinsk’. However, the researchers could not confirm authorship of Peter Mikhalkov by two reasons: he was born later than the indicated date and has never been an iconographer, and this image was created by a skilled craftsman. 
#6
The icon was painted on a solid plate, on the back side it was propped up with two narrow plaques – splines. On the front side the craftsman carved an ark – a rectangular cavity for the basic image. The background and clothing are painted in colors of сold palette – olive, dark green and the faces with warm yellow ocher.
#7
In 1920 the icon entered the collection of the museum when the church utensils were taken out of the closed Yugsky Monastery. In 20 years the Convent was flooded during the construction of Rybinsk water storage reservoir.
#8
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Our Lady of Vladimir

Creation period
First third of XVIII century
Dimensions
31,4х25,8 сm
Technique
Wood, tempera
3
Point your smartphone camera to open in the app
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To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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