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St Nicholas the Wonderworker and Xenia

Creation period
1755
Dimensions
30.8x26.8 cm
Technique
Wood, oil
0
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#1
Vasilevsky V.I.
Saint Nicholas the Wonderworker and the Venerable Xenia before Christ
#2
On the icon from the collection of the Rybinsk Museum Reserve Nikolai the Wonderworker of Myrlikiya and Xenia Roman of Milyass are depicted together, although they lived and preached in different centuries. 

Nicholas the Wonderworker was, in the IIIrd century, an archbishop in the city of Myra in the Roman province of Lycia. That time was marked by numerous persecutions of Christians — the Emperor Diocletian brutally cracked down on them. Nikolai of Myrlikiya also suffered for his faith: he was sent to prison, where he was tortured for a long time. The Saint got rescued in the 320s when Constantine the Great came to power making Christianity the main religion in the Empire. Saint Nicholas healed the sick with his prayers, saved the innocent from execution and once resurrected a drowned sailor. 

The venerable Xenia of Rome was born in the 5th century AD. She was the daughter of a Roman senator, and, already in her youth, she decided to devote herself to serving God. When she was to be married off to a rich nobleman, she fled Rome disguised in male clothes. She founded a convent near the town of Milyass (in the territory of today’s Turkey), preaching and healing the sick throughout her life. 

This icon was commissioned in 1755 for the wedding of noblepersons Nikolai Tishinin and Xenia Tarbeyeva, with their estate located near Rybinsk. Vassily Vasilevsky, the famous Moscow icon painter of the time, created the image. He painted icons for the Church of St. Symeon the God-Receiver and Anna the Prophetess as well as the Peter and Paul Cathedral in St. Petersburg. He also worked on frescoes in many Moscow churches, including the restoration of the paintings in the Assumption Cathedral of the Moscow Kremlin. Ten works, which are signed by the iconographer, have survived to this day, and the icon from the Rybinsk Museum Reserve is one of them.

#3
The master painted it with oil paints in a realistic, not icon-painting manner. He marked the nimbus of the saints with thin lines, and the radiance of Jesus with divergent rays - the depiction found on Western European paintings.
#4
The icon Saint Nicholas the Wonderworker and the Venerable Xenia before Christ was first kept in the estate of the Tishinin, and later, presumably in the beginning of the XIX century, it was transferred to the church of Our Lady of Molchansk in the Yugsko-Dorofeyeva monastery, where the daughter of the icon’s owners was buried. After the revolution, in the early 1920s, they established a children’s commune in the monastery, and many icons were transferred to the Rybinsk Museum. The monastery was submerged, in the 1940s, by the waters of the Rybinsk artificially impounded water reservoir.
#5
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St Nicholas the Wonderworker and Xenia

Creation period
1755
Dimensions
30.8x26.8 cm
Technique
Wood, oil
0
Point your smartphone camera to open in the app
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To see AR mode in action:
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  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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