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Appearance of the Icon of the Holy Mother

Creation period
End of 19th - beginning of 20th centuries
Dimensions
17,5х14 cm
Technique
Wood, combination of techniques, metalsmithing on chalk ground (levkas)
3
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#1
Unknown Author
Appearance of the Icon of the Holy Mother to Reverend Dorofey Yughskiy
#2
Very little information remained about the founder of the Yugh Dorofey hermitage – Reverend Dorofey. It is known that he was born in the beginning or in the middle of the 16th century and took the vows in the Pskov-Pechersk Monastery. The Reverend was mentioned in several manuscripts including The legend of the miraculous icon of the Yugh Holy Mother and The description of the Yugh Dorofey cenobitic hermitage. These texts served as the foundation for the iconography of the Appearance of the Holy Mother to Reverend Dorofey. 
 
According to the legend, after praying in the Pskov-Pechersk Monastery the monk Dorofey heard the voice of the Holy Mother. She commanded him to take the icon of The Holy Mother Hodegetria (Wayfinder) which she will point out from the monastery and take it to the Yaroslavl region. The icons of Holy Mother Hodegetria showed the Virgin Mary with baby Jesus in her hands. On the shore of the river Yugh not far from Rybinsk the monk put the icon of a tree and lied down to have some rest. When he woke up he could not take it off. At that moment he heard a voice saying: My icon and My godsend will remain here forever.

#3

About icon

#4
The icon from the collection of the Rybinsk Museum Reserve was created in the end of 19th – beginning of the 20th century in the workshop of the Yugh Dorofey monastery. Today the monastery is submersed by the waters of the Rybinsk water reservoir.
#5
This icon easily fitted on the palm of a hand – such icons were called pyadnica. The word originated from pyad - an old measure of length, which amounted to approximately 17 centimeters. They were made specially for pilgrims, the back side of the icon has an oval print-stamp with the words: Blessing of the hermitage of Yugh Holy Mother.
#6
The icon-painters used a combination of techniques. They used tempera (egg yolk paints) over a polished and covered with fabric and chalk surface (levkas). Levkas is a ground coat made from chalk, glue and sometimes plaster. Special levkas was made for this icon, it also contained boiled linseed oil. As a result the surface became more plastic and icon-painters were able to make ornamental carving on the sides of the icon. The ornament itself was painted as an imitation of enamel resembling ancient Byzantine icons.
#7
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Appearance of the Icon of the Holy Mother

Creation period
End of 19th - beginning of 20th centuries
Dimensions
17,5х14 cm
Technique
Wood, combination of techniques, metalsmithing on chalk ground (levkas)
3
Point your smartphone camera to open in the app
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To see AR mode in action:
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  2. iOS or Android;
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  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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