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Sign for a Baker’s Shop

Creation period
the late 19th — early 20th centuries
Place of сreation
the Russian Empire
Dimensions
55x70 cm
Technique
bronzing on tin
2
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#1

City front signs in Russia were first mentioned during the reign of Mikhail Feodorovich Romanov. The most common form, just like in Europe, was an emblem signboard. It was essentially a sign of the goods provided by a shop or a craftsman, which was placed over the counter.

The streets were adorned by dimensional signboards, made from either wood or iron, that were painted to look like gloves, glasses, pretzels, boots, or bunches of grapes. Shop signs attracted the attention of many avant-garde artists. Vladimir Mayakovsky called them “iron books”.

The authors of the 1991 edition of “Russian Painted Shop Signs and Avant-garde Artists” noted,

#2

The masters of shop signs did not copy but rather ‘depicted’ objects. Schematic and generalized images of goods were used to emphasize and strengthen the tangibility of the depicted object; each type of signboard had its own canons of composition, form and color, which served as the criteria for high quality.

#3

Artists and poets drew inspiration from shop signs and even considered them an aesthetic norm of the popular notion of beauty. For example, “the father of Russian Futurism” David Davidovich Burliuk, while giving lectures on the new art, spoke enthusiastically about the signs and their artistic features and uniqueness, urged the audience to collect them and even advocated the establishment of a museum for them. For example, in November 1912, during a speech in Saint Petersburg, Burliuk put shop signs on a par with the works of acknowledged masters of painting.

Among the famous collectors of the signs were such avant-garde artists as Mikhail Fyodorovich Larionov, Mikhail Vasilyevich Le Dentu, and Marc Chagall. After the October Revolution, the issue arose most acutely of removing signboards that invited people to the stores that no longer existed and confused passersby.

At the initiative of Vera Mikhailovna Yermolayeva, a sub-department of signs was established at the City Museum in Petrograd. The artists Nina Iosifovna Kogan and Nadezhda Ivanovna Lyubavina participated in its activities. They managed to collect over 100 exhibits and take photos of the items that could not be transferred to the museum.

In the 1930s, the City Museum was disbanded. The collection was partly relocated to the Hermitage. There, the signs were kept and restored until 1966, when they were transferred to the State Museum of the History of Leningrad.

#4
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Sign for a Baker’s Shop

Creation period
the late 19th — early 20th centuries
Place of сreation
the Russian Empire
Dimensions
55x70 cm
Technique
bronzing on tin
2
Point your smartphone camera to open in the app
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To see AR mode in action:
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  2. iOS or Android;
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  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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