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Wainamoinen Brings Fire

Creation period
1964
Place of сreation
Riga, Latvian SSR, the USSR
Dimensions
29x22 cm
Technique
paper, gouache
0
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#2

Girt (Ģirts) Andreyevich Vilks was a Latvian-Soviet artist and People’s Artist of the Latvian Soviet Socialist Republic. He was born into the family of a blacksmith from Durbe. From 1936 to 1940, he attended the Liepaja Art Studio. After that, he enrolled at the Faculty of Architecture of the University of Latvia, where he studied various disciplines under the guidance of the painter Vilhelms Purvītis.

In the mid-1930s, Vilks began working as a set designer for various theaters in Riga. In 1937, he independently completed his first set designs for the Small Ensemble of the Art Theater. In 1940, he began working as the chief artist at the Riga Art Theater.

In 1946, Vilks made his first book illustration for a folk song titled “She Draped a White Shawl Over Her Shoulders”.

Girt Vilks also worked in monumental painting, designing the interiors of hotels and boarding houses. He designed the Rizhskaya Metro station in Moscow and created an artwork made of stained-glass called “Latvian Riflemen”.

In the epic poem “Kalevala”, a titmouse warns the protagonist Wainamoinen who is attempting to cultivate land and plant barley that the barley will not grow and bread will not be produced unless the forest has been cleared for arable land by fire. Wainamoinen proceeds to clear the forest, felling all the trees except for a single tall birch. He leaves the birch standing so that migratory birds can rest.

An eagle lands on the birch to rest. In gratitude for the tree and Wainamoinen’s thoughtful attitude towards birds, it starts a fire that is essential for the sage’s mission. The relevant passage from the “Kalevala”, translated by John Martin Crawford, reads as follows,

#3

Quickly then this bird of heaven,
Kindled fire among the branches;
Soon the flames are fanned by north-winds,
And the east-winds lend their forces,
Burn the trees of all descriptions,
Burn them all to dust and ashes,
Only is the birch left standing.

#4

In his expeditions, Elias Lönnrot collected and wrote down a significant amount of oral folklore material. The story of the origin of fire is recorded in specific runes, which are incantations against fires — a horrible hazard in forested regions. The fire element can be both a threat to humans and a benefit, transforming “barren land” into fertile soil. Thus, the mythological narrative in the “Kalevala” intertwines with everyday life.

#5
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Wainamoinen Brings Fire

Creation period
1964
Place of сreation
Riga, Latvian SSR, the USSR
Dimensions
29x22 cm
Technique
paper, gouache
0
Point your smartphone camera to open in the app
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To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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