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2. Find the exhibition «Zaraysk Kremlin. Painting and graphics»

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Early spring. Zaraysk village

Creation period
Начало XX века
Place of сreation
Russia
Dimensions
84х107 cm, 53,4х82,6 cm
Technique
Oil on canvas
Collection
1
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Early spring. Zaraysk village
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Early spring. Zaraysk village
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The landscaper Vitold Kaetanovich Byalynitsky-Birulya (1872–1957) studied at the Moscow School of Painting, Sculpture and Architecture under the guidance of masters-Itinerants. His teachers were Illarion Pryanishnikov, Sergei Korovin, Vasily Polenov. Isaac Levitan played a significant role in the formation of the master, with whom Byalynitsky-Birulya met in Moscow. The artist often worked in Levitan’s workshop.


Since 1897 Byalynitsky-Birulya set out his works at exhibitions of the Moscow Association of Artists and international competitions. From 1899 he participated in the Itinerants’ exhibitions, and from 1904 he joined the Itinerants Association. 4 years later Vitold Byalynitsky-Birulya was awarded the title of academician of painting. He was also a member of the Arkhip Ivanovich Kuindzhi’s Society of Artists and the Union of Russian Artists.

One of the most famous paintings of the master is the landscape “Hour of Silence. Lake Udomlya “(1911). It was awarded two medals: an honorary one in Munich and a bronze one in Barcelona.

Landscape is the leading genre in the artist”s work. This was influenced, on the one hand, by the painter”s sincere love for nature, and on the other, by the teachers and artists who surrounded Vitold Kaetanovich. Byalynitsky-Birulya endowed his landscapes with extraordinary lyricism.

“Early Spring” belongs to the mature works of the artist and conveys the characteristic features of his style. Byalynitsky-Birulya chooses a favorite motive for his landscape - a spring river, on the banks of which thin birches grow, and in the distance the village buildings can be seen, organically inscribed in the landscape. Although this picture was created at a crucial time for Russia, there is no worrying inscribed in it. The artist uses a restrained color scheme of cold shades and paints a dull spring. Since the ice melted, the lazily flowing river is about to speed up its run as soon as the snow melts on its banks. Warm days are approaching. Nature is waking up and the hope for changes in the hearts of people also rises.

“I”m so used to refresh my soul in front of your living trends of truth, simplicity and freedom” – wrote Ilya Repin on artist’s works.
Early spring
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Zaraysk Village
Pavel Alexandrovich Radimov (1887-1967), an artist and a poet, was born in the clergyman’s family in the village of Khodyainovo, Zaraysk district. All the artist’s relatives were bucolic clerks and priests, so Pavel Alexandrovich and his two brothers also received clerkly education at the Zaraisk school and at the Ryazan seminary. In 1905, refusing to take the gown, Radimov went to the capital and entered the Moscow School of Painting, Sculpture and Architecture. Then he entered the philological department of Kazan University (Moscow universities didn’t accept former seminary students). He graduated in 1911 with the final project on Homer’s legacy.

Along with his university studies, Radimov continued to examine the art of painting. Nikolay Ivanovich Feshin (1881-1955) became his teacher. In 1914, Pavel Radimov entered the Itinerants Society. The artist became its last chairman. At the end of the 47th Itinerants’ exhibition, Radimov read out the work “On the Reflection of Life in Art”, which caused a violent reaction among the Itinerants’ opponents. Because of the exhibition, a partnership declaration was published, in which the main theses were documentary truthfulness in reflecting the life of modern Russia and loyalty to the techniques of realistic painting. In 1923, the Society of Wandering Exhibitions ceased to exist, and the principles proclaimed in the declaration formed the basis of the ideological program of the Association of Revolutionary Russian Artists (ARRA). Pavel Radimov was one of its founders.

Peasant life is one of the central themes in both poetry and painting of Pavel Radimov. Throughout his entire career, Radimov depicted mainly small rural houses and ‘gardens of hushed lonely villages.’ ‘Zaraysk Village’ is one of the master’s canvases, which embodies the motives of his small homeland. Barefoot children came out to bask in the rays of the spring sun on the porch of the thatched hut. Following the principles of realistic art, the artist does not try to embellish or hide the unsightly details. We see a simple country house with rickety windows and an almost completely weakened roof. Even though the view of the hut and the courtyard testifies to the scarcity of peasants’ family, the canvas does not leave an impression of hopelessness. The artist simply observes the life of his characters without judging it. This is what gives the picture its special charm, based on the bare truth of reality.
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Early spring. Zaraysk village

Creation period
Начало XX века
Place of сreation
Russia
Dimensions
84х107 cm, 53,4х82,6 cm
Technique
Oil on canvas
Collection
1
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To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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