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2. Find the exhibition «Masterpieces of the Andrei Rublev Museum»

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Icon “The Last Supper”, the 18th century

Creation period
the first quarter of the 18th century
Place of сreation
Moscow, Russia
Dimensions
43x42 cm
Technique
wood, levkas, tempera
6
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#1

According to the Gospels, Jesus came to Jerusalem with his disciples to celebrate Passover, a Jewish holiday in honor of the Israelites’ escape from slavery in Egypt. During a meal, Jesus predicted that He would soon be betrayed by one of the apostles present. This was when the Savior instituted the Eucharist, blessing bread and wine and declaring them to be His body and blood.

Images of the Last Supper have been known since the 5th–6th centuries. They follow either the liturgical interpretation, which depicts the Eucharistic celebration within a liturgy, or the historical interpretation, which shows the scene of the meal.

Iconographers who follow the historical interpretation often illustrate the Gospel of John,

#2

…Verily, verily, I say unto you, that one of you shall betray me. Then the disciples looked one on another, doubting of whom he spake. Now there was leaning on Jesus’ bosom one of his disciples, whom Jesus loved. <…> He then lying on Jesus’ breast saith unto him, Lord, who is it? Jesus answered, He it is, to whom I shall give a sop, when I have dipped it. And when he had dipped the sop, he gave it to Judas Iscariot, the son of Simon.

John 13:21–26
#3

In ancient Russian art, icons with a historical interpretation were included in the Feast rows of the iconostasis. The composition of these icons was asymmetrical, with Christ placed at the head of the table on the left side of the image. By the late 17th century, influenced by Western European engravings, the composition of these images had changed and become symmetrical. The image of Christ was placed in the center of the icon, flanked by the apostles. These icons were often placed above the holy gates, the main entrance to the altar. During the modern era, various formats of the image appeared: these icons could be elongated, octagonal, or even round.

“The Last Supper” from the exhibition “Masterpieces of the Andrei Rublev Museum” was painted in the first quarter of the 18th century by an unknown artist of the Armory. The icon is round. The talented artist reproduced the unique position of figures and color accents of the octagonal composition of “The Last Supper”, the last work by Simon Ushakov painted in 1685. As a leading artist of the Armory, a prominent teacher, and an outstanding painter, Simon Ushakov trained many students who followed his artistic principles from his essay “The Art of Diligent Icon Painting” and developed his style.

#4
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Icon “The Last Supper”, the 18th century

Creation period
the first quarter of the 18th century
Place of сreation
Moscow, Russia
Dimensions
43x42 cm
Technique
wood, levkas, tempera
6
Point your smartphone camera to open in the app
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To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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