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Synaxis of Archangel Michael

Creation period
1704
Place of сreation
Moscow, Russia
Dimensions
155,5x97,5 cm
Technique
wood, levkas, tempera
2
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#1

The Synaxis of Archangel Michael and Other Bodiless Powers, also known as St. Michael’s Day, is celebrated on November 8. The feast was established in the 4th century and is celebrated by both the Orthodox and Catholic churches.

Christian theologians have devised several systems of angel hierarchy based on the Old and New Testaments. Traditionally, nine levels of angels are known. According to “Celestial Hierarchy” by Pseudo-Dionysius the Areopagite, there are nine levels of angels that can be grouped into three orders. The highest orders include seraphim, cherubim, and ophanim. The middle orders include the Dominions, Virtues, and Powers. The lowest orders include the Principalities, archangels, and angels.

In the Book of Revelation, John the Apostle described the fight between Archangel Michael and his host of angels and a dragon that pursued a woman clothed in the sun and her child,

#2

And there was war in heaven: Michael and his angels fought against the dragon; <…> And the great dragon was cast out, that old serpent, called the Devil, and Satan, which deceiveth the whole world: he was cast out into the earth, and his angels were cast out with him.

Revelation 12:7–9
#3

The earliest Russian images of the Synaxis of the Archangels, dating back to the 13th–15th centuries, depicted Archangels Michael and Gabriel supporting a sphere with Emmanuel. In later images, numerous bodiless powers were added to the composition, and Archangel Michael was placed in its center.

In “Synaxis of Archangel Michael and Other Bodiless Powers” from the collection of the Andrei Rublev Museum, the traditional depiction of Emmanuel was replaced by Christ Pantocrator sitting on cherubs (which is confirmed by the inscription) and ophanim and surrounded by seraphim. The bodiless powers of the highest orders are represented as six-winged beings. The rest of the bodiless powers look like winged young men. At the bottom, in the center, Archangel Michael stands dressed in military attire, with an unsheathed sword in his right hand, emphasizing his role as the archangel, the supreme commander of the Heavenly host.

This icon was the main image of the cathedral in Bronnitsy, near Moscow, where an imperial horse breeding village was located in the early 18th century.

In his inscription on the icon, the court painter Cyril Ulanov referred to himself as a “humble icon painter” for the first time. A similar wording can be found in his later works. Considering the future fate of the iconographer, who took monastic vows in 1709 and went to the remotest depths of the country, one can assume that the signature on the Bronnitsy icon reflects changes in the artist’s view of life, which determined his subsequent fate.

#4
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Synaxis of Archangel Michael

Creation period
1704
Place of сreation
Moscow, Russia
Dimensions
155,5x97,5 cm
Technique
wood, levkas, tempera
2
Point your smartphone camera to open in the app
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To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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