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The Last Supper

Creation period
second quarter of the 18th century
Dimensions
34,2x26,5 cm
Technique
Levkas (gesso), tempera on wood
0
Open in app
#1
Unknown artist
The Last Supper
#2
The Laster Supper is the last meal of Jesus Christ and his apostles. Three important events happened at the meal. Before the meal, Christ laid aside his outer garments and washed his disciples’ feet like a servant. Later he told the apostles that one of them would betray him, and then he took the bread and broke it and gave it to the disciples and offered them wine thus establishing the sacrament of Communion, or the Eucharist. All the four canonical Gospels and the Apostle Paul’s First Letter to Corinthians mention the Last Supper. Holy Thursday, remembrance of the Last Supper, is celebrated by Christians on the Thursday of the Passion Week.
The theme of the Last Supper has been present in visual arts since the 6th century; it is one of the most popular themes in Christianity. If washing of the feet is often depicted separately, the other two events present one whole and form two iconographic types — historical and liturgical. The first one tells about the prediction of betrayal and the apostles’ reaction to it, and the second one about the appearance of the sacrament of the Eucharist. The presented icon is of the historical type.

#5
The Last Supper from the Museum collection was painted by an unknown master in the second quarter of the 18th century. He was governed by the tradition of the Moscow Kremlin Armoury Chamber icon painting school — deep paints, anatomically accurate depiction of bodies. He did the faces in the spirit of the time —he applied lighter ochre on a dark olive layer adding highlights and rouge.
Jesus and the apostles are sitting in armchairs at a big rectangular table in a Zion room. This room was in a house outside the walls of the Old City of Jerusalem, not far from the Zion Gate. This type of iconography appeared in the middle Bysantium period, approximately in the 7th-12th centuries.
#6
The master depicted the characters without nimbi. The nimbus of Jesus Christ in metal was added later. This peculiarity can be explained by the fact that the master must have used European graphic art as an example — traditionally, in Russian icons only Judas the traitor was painted without a nimbus. Architectural columns with finials and chequered flooring, typical of Western engravings, also go to confirm this suggestion.
The apostles in the icon are both sad and perplexed. Their gestures, movements and turns of their bodies convey their reaction to the Lord’s words: ‘Truly I tell you, one of you will betray me’.

#7
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The Last Supper

Creation period
second quarter of the 18th century
Dimensions
34,2x26,5 cm
Technique
Levkas (gesso), tempera on wood
0
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To see AR mode in action:
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  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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