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To see AR mode in action:

1. Install ARTEFACT app for iOS or Android;

2. Find the exhibition «Ugra Heritage»

3. Push the «Augmented reality» button and point your phone's camera at the exhibit;

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#1
Sculpture, tambourine
#11
Wooden Sculpture
#12
The Khanty worshipped various spirits, those that patronized the trade, the territory, and the home. The characters of these cults were human-like deities. Each of them had its own name and a unique appearance.

The sacred statues of the Salym Khanty group could be stored inside or outside the house. Storage in the house implies several options: in a room, in chests, on the back bunks or in a corner, in the hayloft or in the attic. Being kept outside the house, statues were placed on a special shelf on the back wall or in a barn.

The wooden houses of the Khanty resemble the Russian houses: they have a living room on the first floor and an attic under the roof. The chests with spirits were often taken there. The skins or skulls of sacrificial animals were also stored there. In small villages, today one can see houses of early architecture, that is without attics. In this case, the chests with sacred statues were placed on a shelf built over the bunks, and necessarily on the wall opposite the entrance. The statues were dressed in a piece of new cloth, which could also be used to make detailed clothing. Every family of the Salym Khanty had sacred chests with figurines of guardian spirits.

The ritual of veneration was performed in the place where the guardian spirits were kept. The eldest member of the family lifted the lid of the chest and fixed it. Treats were brought for spirits: pierogi (small pies), fish, berries, alcoholic beverages. The family would form a semicircle, facing the open chest. The men necessarily stood in the front row, with the women and children behind them. The family turned to the spirit for help in hunting and fishing. Other requests were also made. After the ritual was over, the chest was closed. The Khanty family idols are kept even today.

The Museum of the Ob River displays three wooden sculptures of guardian spirits at the exhibition “Ugra Heritage”. They entered the museum in the 1990s. These sculptures once belonged to the Salym Khanty group. In Salym, in the house of the Lukin family, at the eastern gable of the attic, there was a Russian chest padded with iron. It is believed that it contained seven wooden sculptures, but only three have been preserved to this day. Perhaps, the idols found were family deities of the Lukins.
#13
Полное наименование: Wooden Sculpture
Дата создания: the 20th century
Техника: woodworking
Место создания: the Nefteyugansk District
Размеры: 31.5×6.7×2 cm
Коллекция: History and Art Museum Complex
Правообладатель изображений: History and Art Museum Complex
#15
Shaman’s tambourine
#16
Shamanism is one of the oldest forms of religion. It is based on belief in the existence of spirits and that all nature subjects are alive. The term presumably derives from the Tungus word “saman”, which means “excited, ecstatic person”.

The central character of shamanism is a shaman. He is a mediator between the human and spirit worlds. Communication with spirits (kamlaniye) is performed in a state of trance. Many researchers of the Ob-Ugrians' religious views agree that faith in God is important for them but not dominant because the Gods are rarely addressed. The Ugrians believe that the spirit world is closer — the spirits act as a link between gods and people.

There is no religion without cult attributes, and shamanism is no exception. A shaman’s main instrument is a tambourine. It is a kind of a material guide, it helps its owner to go into an altered state of consciousness and summon spirits. In the Khanty culture, the tambourine is represented as a bird, reindeer, or even a boat, on which a soul moves between worlds.

A shaman’s tambourine is considered a rare item in museums and often presented in a single copy, unlike many everyday objects. The tambourine appeared in the Museum of the Ob River collection in 2009 — it was donated by Faina Kisayeva.

The tambourine consists of a leather membrane and a wooden rim. The Northern peoples used moose or reindeer skin as a membrane. When fitting, they made sure that the wet skin was not too stretched: it was believed that it should sag a little when the tool was horizontal. When the membrane dried out, it stretched. Later, the membrane tension on the ready-made tambourine was easily regulated: the instrument was brought to the fire. The shaman’s tambourines of the Ob-Ugrians don’t have drawings on the cover, but they are found among the neighboring peoples.

On the inside of a tambourine, a handle is usually attached in the form of a natural tree fork or two fixed sticks. An auxiliary instrument for a shaman’s tambourine is a wooden elongated stick. The Museum of the Ob River displays the Khanty stick covered with deer fur.
#17
Полное наименование: Shaman’s tambourine
Дата создания: the 1980s
Техника: woodworking, handwork, leather working
Размеры: diameter — 44 cm, inner surface diameter — 34 cm, depth — 6.5 cm
Коллекция: History and Art Museum Complex
Правообладатель изображений: History and Art Museum Complex
Место создания: the Khanty-Mansi Autonomous Area
#14
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Sculpture, tambourine

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