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Rural wedding

Ferdinand van Apshoven the Younger
Creation period
second half of XVII century
Dimensions
49,5x67 cm
49,5x67 cm
Technique
canvas, oil
65
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#1
Ferdinand Apshoven
Rural wedding
#2
The painting Rural wedding was created by Flemish artist Ferdinand van Apshoven the Younger. He painted it in the second half of the 17th century. The craftsman depicted a rural wedding at the height of the festivities: the bride is sitting behind the table, the guests are feasting and dancing, at the entrance there is a tipsy villager. Behind the bride’s back there is a cloth stretched between the poles – in the Netherlands a tapestry or a carpet was used to be traditionally stretched behind a couple so that newlyweds could look more impressive against its background. 
 
Ferdinand van Apshoven the Younger studied with a famous Flemish artist David Teniers the Younger. Teniers has a painting named Peasant wedding dated 1650, by which Apshoven was inspired when creating his own painting.
#4
Teniers, David the Younger. 1610-1690. Peasant wedding. 1650 State Hermitage Museum.
#5
The painting by Teniers is now kept with the State Hermitage – experts indicate that it in turn goes back to the piece of art Peasant wedding by Pieter Bruegel the Elder. Bruegel painted it a century ago, around the year 1567.
#6
Peter Brueghel the Elder. Peasant wedding. 1567. Museum of the History of Art, Vienna.
#8
All three Weddings are full of smallest details from real life of the Netherlands in the 16th – 17th centuries. For instance, women on these paintings wear light headdresses. Most probably, those are bonnets traditional for that time. Paul Zumthor in his book on lifestyle in the Netherlands wrote: “With the exception of a few secular fashionmongers and peasants, all Dutch women wore bonnets that formed the only female headdress worn indoors and outdoors. These step-ins were a legacy of the former pan-European tradition preserved in the 17th century only in the Netherlands”. 
 
The focus towards the life of people and their national peculiarities shifted at full pace one hundred years later after Pieter Bruegel the Elder. Holland of the 17th century was a republic with protestant religion. Paintings were marketable among traders, townsfolk and affluent villagers but not among the church or royal court. Buyers wanted to see the topics closest to them – corners of familiar houses, ships from Dutch shipyards, their home land nature with humid air and grey sky. And for the first time in the history of arts artists addressed the real life of the nation at such a scale. The art of Holland tremendously impacted the creativity of Adriaen Brouwer who inspired David Teniers the Younger, teacher of Ferdinand van Apshoven the Younger. 
 
Approximately in 1657-1658 Apshoven became a member of the Guild of Artists of St. Luke in Antwerpen. He often painted genre scenes in brown-grey chord in the manner of his teacher.
#9
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Rural wedding

Ferdinand van Apshoven the Younger
Creation period
second half of XVII century
Dimensions
49,5x67 cm
49,5x67 cm
Technique
canvas, oil
65
Point your smartphone camera to open in the app
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