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Circular note of the General Repertory Committee

Creation period
October 1, 1926
Place of сreation
Moscow, the USSR
Dimensions
12x22 cm
Technique
paper, typewriting
0
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#7

The circular note of the General Repertory Committee of October 1, 1926 refers to the staging of Bulgakov’s play “The Days of the Turbins”. This document marked as “confidential information” says,

#8

M. Bulgakov’s play ‘The Turbin Family’ / ‘The White Guard’ / is allowed for the current season only to the Moscow Art Theater; for other theaters of the RSFSR its staging is strictly forbidden.

#9

The premiere of “The Days of the Turbins” took place in October 1926, and it was preceded by many months of struggle between the writer and the censors, who demanded alterations. It was not clear until the day of the premiere, whether it would be held at all. Bulgakov was taken for questioning in the OGPU secret service, and the General Repertory Committee, issuing permits for the performance, changed the decision several times.

The OGPU watched the twists and turns around the upcoming performance, and on September 26, 1926, shortly before the premiere, submitted a strong protest to the Collegium of the People’s Commissariat for Education, which controlled the General Repertory Committee. The OGPU was not satisfied with the changes in the play, made by Mikhail Bulgakov under pressure from the censors,

#10

In view of the fact that these changes do not change the basic idea of the play — the idealization of the officers in the White Guard — the OGPU categorically objects to its staging.

#11

And yet the premiere did take place — largely thanks to the efforts of Konstantin Stanislavsky, the founder of the Moscow Art Theater, who had influential supporters in the party.

The circular note on display shows that the censors tried to crack down on the play by banning its release in Soviet Russia. The author of this document is the critic Vladimir Blum, who was temporarily acting chairman of the General Repertory Committee. Blum was an enemy of Bulgakov and published a number of notorious articles against him. Defending the ideological “purity” in Soviet art, the critic wrote a lot about the inadmissibility of “decadent” phenomena in the theater. He sharply opposed operetta, and his article “Will Satire Return to Life?” said that satire causes “harm to the Workers’ and Peasants’ statehood”. Later Bulgakov portrayed him in the play “Crimson Island” as a repulsive censor Savva Lukich.

#12
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Circular note of the General Repertory Committee

Creation period
October 1, 1926
Place of сreation
Moscow, the USSR
Dimensions
12x22 cm
Technique
paper, typewriting
0
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