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The Theotokos of Vladimir

Creation period
Late 19th – early 20th century
Dimensions
22,2x17,8 cm
22.2x17.8x1.5 cm
Technique
Wood, paper, printing, metal, calking
Exhibition
2
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#1
Unknown Author
The Theotokos of Vladimir in metal mounting
#4
The Theotokos [h1] created by an unknown author at the turn of the 19th and 20th centuries is an iconographic version of the ancient Vladimir Mother of God. A copy, the so-called list, is made on paper and glued to a wooden board. Metal mounting helps to protect the icon from the sun rays and moisture. Mountings – or icon platings – were usually made of brass alloy by forged method, so they were rather inexpensive. Such icons were popular among the peasant population.

The image and metal mounting are covered with yellow lacquer. On the plating, there are aureoles mounted in the form of diverging rays around the head of the Virgin Mary and the Child.
#7
The Vladimir Mother of God, authentic source of this work, is one of the earliest icons in history of Orthodox Christianity. Several miraculous events are associated with it. As a hagiographic text of the 15th century has it, Luke the Evangelist wrote it on a wooden table – the place of the meal of the Blessed Virgin Mary, her husband Joseph the Betrothed and Christ.
#8
The Vladimir Mother of God. Source: wikipedia.org
Initially, the icon was in Jerusalem from where it was transported to Constantinople in the 5th century, and then to Kiev. Prince Mstislav Vladimirsky received it as a gift and in 1130 it first came to Russia. The icon was kept in the Theotokos Monastery and was called the Vyshgorod Mother of God (according to the name of Ukrainian city close to the monastery). When in 1155, Andrei Bogolyubsky brought it to Vladimir it received a new name – the Vladimir Mother of God.
#9
The Vladimir Mother of God is an example of the iconography of Eleusa (tenderness) type. In Greek this word means compassion and condolement.
#2
The icon depicts two figures – the Virgin Mary and little Christ, their cheeks are touching in a heart-warming manner. This way of depiction was in accordance with the canon. The Mother of God is leaning toward the Child, who is hugging her neck. An important detail distinguishing the Vladimirskaya from other icons of the Eleusa type is the visible sole of Jesus Christ’s foot. The icon symbolizes the tender love of the Mother and the Child: Mary is grieving, foreseeing the worldly sufferings of the Son. Such iconography was known even in the period of early Christianity but gained popularity by the 11th century, and later passed into painting.
The Theotokos of Vladimir is credited with the miraculous Salvation of Moscow from the Tamerlane invasion in 1395 and from the Nogais usurpation in 1451. In 1480, the intersession of the Theotokos is thought to have influenced the great standing on the Ugra River, which ended the Tatar-Mongol yoke. In 1521, the army of Mahmet-Girey with almost 100 thousand people reached Moscow yet it suddenly turned back. Orthodox Christians strongly believed in the power of Our Lady the Intercessor, and the Vladimir Mother of God became sacred. The venerated image was used in celebration of coronations of tsars, elections of patriarchs, people prayed in front of it on the eve of military campaigns.
#10
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The Theotokos of Vladimir

Creation period
Late 19th – early 20th century
Dimensions
22,2x17,8 cm
22.2x17.8x1.5 cm
Technique
Wood, paper, printing, metal, calking
Exhibition
2
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To see AR mode in action:
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  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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