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Portrait of Natalia Naryshkina

Creation period
the 18th century
Dimensions
77,3x56,3 cm
Technique
Oil on canvas
6
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#1
Unknown author
Portrait of Natalia Naryshkina
#2
The portrait of the Russian Tsaritsa Natalia Naryshkina, the mother of Peter I, was painted by an unknown author in the first third of the18th century. This is a special type of portrait known as parsuna. Such images appeared in Russia in the 17th century. First, all portraits of those times were called parsunas, and only later art experts classified them as a separate genre.

The parsuna combined features of a secular portrait and an icon. Artists aspired to render the look of a person and his or her social role, however, they used icon painting techniques. That is why portraits of simple people painted with oil on canvas rather than tempera on wood appeared in many respects iconic. In such images, artists did not strive to add volume to form and space, they painted faces in a conventional and standardized manner, and often added a text clarifying, who they depicted to portraits.The parsuna combined features of a secular portrait and an icon. Artists aspired to render the look of a person and his or her social role, however, they used icon painting techniques. That is why portraits of simple people painted with oil on canvas rather than tempera on wood appeared in many respects iconic. In such images, artists did not strive to add volume to form and space, they painted faces in a conventional and standardized manner, and often added a text clarifying, who they depicted to portraits.
#4
‘Authors did not normally strive to reveal the unique features of the person they portrayed, however, they were to coordinate the precise features of a face with a stereotyped and unchanged scheme of figure representation’,
— the art expert Lev Livshits wrote. 
#7
The portrait of Natalia Naryshkina conformed to this peculiar canon.
#12
Karl Schurmann. Portrait of Tsaritsa Natalia Kirillovna, 1687. Source: wikipedia.org
The artist only painted a conventional image of Natalia Naryshkina’s facial features: her face resembles a still icon face rather than a face of a live person. As you look at the portrait, it is hard to understand the disposition of the heroine and to guess that “this princess is of a kind and virtuous temperament”, as her contemporary, Prince Boris Kurakin, described her. The artist smoothened the space in the painting and added almost no volume to it. However, the ornament on the robe is meticulously copied: the painter detailed every figured petal. The artist painted the tsaritsa dressed according to old Moscow fashion, wearing a black silk widow’s cloak on top of a rich cloth of gold robe.
#9
Natalia Naryshkina became a widow early. She married Tsar Aleksey Mikhailovich at the age of 19, and lost him six years later. The ruler is known to have been sincerely attached to her.
#10
‘Natalia Kirillovna was of very cheerful disposition and would quite willingly indulge in various entertainments, and Tsar Aleksey Mikhailovich who passionately loved his young and beautiful wife would do his best to please her’,
— the Russian dictionary of biographies by Aleksander Polovtsov reads.
#11
They had three children. The elder one, their beloved son Peter, later became Emperor Peter I. After the death of her husband, the tsaritsa devoted all her time to him.
#13
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Portrait of Natalia Naryshkina

Creation period
the 18th century
Dimensions
77,3x56,3 cm
Technique
Oil on canvas
6
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To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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