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1. Install ARTEFACT app for iOS or Android;

2. Find the exhibition «History and Culture of the Jews in Russia»

3. Push the «Augmented reality» button and point your phone's camera at the exhibit;

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Amulet

Creation period
the late 19th — early 20th century
Place of сreation
Beshenkovichi, Belarus
Dimensions
15,5x22 cm
Technique
paper, ink, watercolor
2
Open in app
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At the end of the 18th century Russia, Austria, and Prussia divided between them the territory of the Polish-Lithuanian Commonwealth. Most Polish and Lithuanian Jews became Russian subjects, but their rights were not equal to those of the Russian population. Jews were restricted in their places of residence, admission to educational institutions, obtaining employment, and wearing national dress. All this forced Jews to seek protection in their faith and to turn to mystical and otherworldly forces.

In Hasidic legends, there are tales of demons and dybbuk (literally, “dybbuk” means “clinging”). They are cursed souls who are capable of possessing a person. To protect themselves, people made amulets that looked like sacred texts on small pieces of parchment. The masters who made these amulets had to meet very high requirements — they were special members of the community, versed in the field of angelology and demonology. They understood the cosmic time and space, knew how to combine the letters to form the name of God, and they also observed fasts and were pure in their thoughts.

One of the main amulets was a child’s amulet in the form of a small medal. It was designed to protect child’s health and bearing the wish:
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This child shall grow up for the Torah, the chuppah, and virtue.
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There were various amulets with texts designed for all occasions: against the evil eye, sickness, bullets, witchcraft, fires, thieves, and other misfortunes.

Amulets were worn around the neck, attached to clothing, the walls of the house, and hidden in secret places. They were also put in canes, seal knobs, or worn as rings and ornaments. The most effective was an amulet to protect the mother and her baby from evil forces. Its power was vested in the texts from the “Book of Raziel the Angel”, which, according to Jewish tradition, was authored by Adam.

The woman in labor wore the amulet around her neck to protect her and her newborn child from Lilith, an evil feminine spirit who put bad spells on children. Legend has it that Lilith was Adam’s first wife, whom God sculpted from clay. After she separated from Adam, she became a demon who killed babies. Amulets and incantations against Lilith contained her own names as well as the names of angels who tried to bring Lilith back to her husband.
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Amulet

Creation period
the late 19th — early 20th century
Place of сreation
Beshenkovichi, Belarus
Dimensions
15,5x22 cm
Technique
paper, ink, watercolor
2
Point your smartphone camera to open in the app
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Open in app
To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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