Шрифт
Цвет
Графика
Изображение точки

To see AR mode in action:

1. Install ARTEFACT app for iOS or Android;

2. Find the exhibition «Dagestan Museum of Fine Arts»

3. Push the «Augmented reality» button and point your phone's camera at the exhibit;

Скрыть точки интересаПоказать точки интереса
Показать в высоком качестве

The First Steps

Creation period
Late XIX – early XX century
Dimensions
85x137 cm
Technique
Oil on canvas
8
Open in app
#1
Regianini Vittorio
The First Steps
#2
Italian master Vittorio Regianini (1853(8)–1938) won acclaim as a salon painter. Initially, in the second half of the XIX century this was the name of the art approved by Paris Salon — the most prestigious European exhibition. However, with time the term acquired a different meaning. When Regianini started his artistic career the word ‘salon’ already meant a striving for outward beauty, easy painting manner and usually lack of substance.

The artist specialized in ‘scenes’ from bourgeois life. He painted fine ladies in exquisite outfits against the background of luxurious interiors.
#6
Regianini and his fellow-thinkers, including Federico Andreotti and Francesco Vinea tried to return refinement and elegance to the art of painting. In a way, it was similar to the modern culture of glossy magazines oriented at wealth, luxury and modern tendencies.
#9
Regianini was born in northern Italy in the town of Modena and received artistic education in the local Academy of Fine Arts where he later became a professor. After graduation, Regianini had to select the country to perfect his skills and he chose Russia. Legend has it that at the time he had a passion for the Russian countess Elena Zavadovskaya and exhibited her portrait in Florence in 1907–1908.
With the first look at the painting ‘The First Steps’ from the collection of Dagestan Museum of Fine Arts one notices how accurately Regianini paints details of interiors and the rich texture of satin dresses of his female characters. This painting as well as many other artists’ works is distinguished by mannerism of execution. On the one hand, Regianini was oriented at the academic tradition that required from an artist technical mastery and following high ideals. On the other, he contributed to his works elements of romanticism: emotionality, sensuousness, rich colors and daring subjects.
#8
Such works were most often created for commercial purposes — they were meant for common European bourgeois with their specific view of beauty. Hence the orientation at entertaining nature of the painting.

However, Regianini’s art enchanted not only philistines. For instance, poet Vladimir Khodasevich who met the artist in 1924 году at an exhibition presented by famous Florentine collectors Alinari brothers, mentioned him in these lines: ‘At the Alinaris’ behind the glass, And not without hidden bitterness, I sometimes walk and think That somebody wise and cross Will look in here one day, Will cheer up unexpectedly, Lighting the whole world with a smile, Admiring a beauty’s shawl and forgetting himself, like I do now…’. The poet admires precisely the works by Regianini.

The artist’s characters often travel from one painting to another. In “Tea Time”, one can see the three girls from “The First Steps”. Regianini and his associates did not strive for diversity and reproduced the same gracious figures and shapes.
#10
V. Regianini. Tea Time. Source: Private Collection
The artist’s characters often travel from one painting to another. For example, in Tea Time, one can see all three girls from the painting The First Steps. Regianini did not strive for diversity and reproduced the same interior parts and gracious poses.
#11
V. Regianini. Love Letter. Source: Private Collection
And in Love Letter, also from a private collection, we see a scene that partly echoes the one in the picture hanging in the background.
#12
V. Regianini. Party. Source: Private Collection
Party is another piece in a private collection that repeats interior items, for example, the console table with a clock.
#13
read morehide
00:00
00:00
1x

The First Steps

Creation period
Late XIX – early XX century
Dimensions
85x137 cm
Technique
Oil on canvas
8
Point your smartphone camera to open in the app
Share
VkontakteOdnoklassnikiTelegram
Share on my website
Copy linkCopied
Copy
Open in app
To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
We use Cookies
Cookies on the Artefact Website. We use cookies to ensure that we give you the best experience on our website. If you continue without changing your settings, we'll assume that you are happy to receive all cookies on the Artefact website. However, if you would like to, you can change your cookie settings at any time.
Подробнее об использованииСкрыть
Content is available only in Russian
%title%%type%