Around 1901, Komarov began collaborating with the magazine “Hunting with Dogs and Guns”, which was published in the Venyovsky Uyezd of the Tula Governorate. This was the artist’s first major commission, which started his career as an animal painter. From 1902–1903, Komarov began working with children’s magazines (“Firefly”, “Guiding Light”), and the publishing houses of Sytin, Mirimanov, Fyodorov-Davydov, Stupin, and Knebel. He was engaged in book design and exhibited his works. The artist’s photograph is placed in a literary and artistic collection dedicated to the fiftieth anniversary of Ivan Dmitrievich Sytin’s career in publishing “Half a Century for the Book 1866–1916”.
Alexey Nikanorovich Komarov always sought to achieve similarity and to reliably convey the features of the appearance and behavior of animals. He depicted animals in their natural environment. Among the artist’s favorite motifs were the inhabitants of the northern forests: capercaillie and moose. Komarov loved forest songbirds. His drawings lovingly convey the habits of tits, nuthatches, bullfinches, and goldfinches.
The main principle of Komarov’s art was loyalty to
nature. Even in his fairy-tale illustrations, the animals seem real. Komarov’s
drawings attract one’s attention with his free painting style, flexible and
confident lines. Their value lies in the utmost truthfulness of life. After
1917, he created many textbooks, educational paintings, geographical tables,
and posters. He illustrated the first Soviet alphabet book and collaborated
with all state publishing houses (Gosizdat, Uchpedgiz, Detizdat, and so on).