Шрифт
Цвет
Графика
Изображение точки

To see AR mode in action:

1. Install ARTEFACT app for iOS or Android;

2. Find the exhibition «Collections of Dmitry Gennadievich Burylin»

3. Push the «Augmented reality» button and point your phone's camera at the exhibit;

Скрыть точки интересаПоказать точки интереса
Показать в высоком качестве

Sword of justice

Creation period
the 17th — early 18th century
Place of сreation
Germany
Dimensions
112x7 cm
Technique
steel, brass, leather; hammering
1
Open in app
#1

The collection of the Ivanovo Museum of Local History named after Dmitry Burylin presents the so-called sword of justice, which was used to execute prisoners in Europe from around the 14th century.

For about 200 years, decapitation was performed by ordinary swords. Classical “swords of justice” — executioner’s swords designed exclusively for beheading and lacking a point — appeared around the beginning of the 16th century. It was then that the swords began to be used more and more often to execute citizens of the burgher class. The swords were effectively used up until the end of the 18th century.

Execution by beheading was widespread throughout Germany, France and Flanders. Being executed with a sword was considered more respectable and humane than with an ax. Oftentimes, the relatives asked the executioner to use this particular weapon, albeit it was more expensive. For example, in 1609, two daughters of a condemned burgher pleaded with the famous Nuremberg executioner Franz Schmidt to behead their father rather than hang him, otherwise their fiancés would refuse to marry them.

An executioner’s sword is distinguished from a battle sword by its double-edged blade and rounded point. The blade of a sword of justice had to be perfectly sharp. After all, the criminal’s head was supposed to be struck off in a single swing. The sword blades were often made lighter by a special recess called fuller. The sword from the museum’s collection is no exception: its fuller features an engraved didactic inscription. Executioners were expected to perfectly master their weapons. The executioner was to be obstructed by no one during the execution, or the perpetrator would suffer physical punishment or even lose their property. After all, the executioner risked his own life. An inept executioner could be torn to pieces by the crowd. There was a legend that after a hundred executions, the executioner buried the sword somewhere in a cemetery or other secluded place, because the weapon, “which drank so much blood”, became “black”. The position of an executioner was often passed down from father to son, as was the sword. These men were quite wealthy: in addition to their fee, they also received a portion of the condemned person’s property.

#2
read morehide
00:00
00:00
1x

Sword of justice

Creation period
the 17th — early 18th century
Place of сreation
Germany
Dimensions
112x7 cm
Technique
steel, brass, leather; hammering
1
Point your smartphone camera to open in the app
Share
VkontakteOdnoklassnikiTelegram
Share on my website
Copy linkCopied
Copy
Open in app
To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
We use Cookies
Cookies on the Artefact Website. We use cookies to ensure that we give you the best experience on our website. If you continue without changing your settings, we'll assume that you are happy to receive all cookies on the Artefact website. However, if you would like to, you can change your cookie settings at any time.
Подробнее об использованииСкрыть
Content is available only in Russian
%title%%type%