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Madonna with Infant Christ and Young John

Creation period
mid-16th century
Dimensions
109x95 cm
Technique
oil on canvas
3
Open in app
#3
unknown artist
Madonna with Infant Christ and Young John
#2
‘Madonna with Infant Christ and Young John the Baptist in a Landscape’ was painted by an unknown, probably Dutch artist at the beginning of the 16th century. The painting was created based on Raphael Santi’s “The Beautiful Gardener” by someone from his circle.

“The Beautiful Gardener” or “The Virgin and Child with John the Baptist” belongs to Raphael’s Florentine period (1506–1508), when he created several paintings on similar subjects. They include the ‘Madonna of the Goldfinch’, ‘Madonna of the Meadow’ and ‘Esterhazy Madonna’. The choice of the composition was influenced by ‘Ann Mettercia’, the model used by Leonardo da Vinci in his work ‘The Virgin and Child with Saint Anne’, which was rare for Italy.

#5
‘Mary and Infant Christ with Saint Anne’. Masolino di Panicale and Masaccio. 1424–1425. img via: wikipedia.org
‘Ann Mettercia’ composition was originally built according to the nesting doll principle, where St. Anne held Mary on her lap, who in turn held Jesus on her lap. Such was the ‘Madonna and Child with St. Anne’ created by Masolino di Panicale and Masaccio. In the early 16th century, da Vinci and Durer changed the traditional treatment of the characters making them interact with one another in their paintings.
#6
Both in the ‘Beautiful Gardener’ and the painting by an unknown author, the figures of Madonna, Jesus and John comprise a harmonious and balanced group against a pastoral landscape background. There are barely noticeable halos floating above their heads. Infant Christ leans on the Virgin’s knee and she supports him with her arm. Christ reaching out for the book is a traditional motif for the “Reading Madonna”. Next to them, infant John the Forerunner bowed his knee looking at Jesus. He holds a reed cross in his hands, looks older than Christ and wears a tunic made of animal skins.
“The Virgin and Child with Saint Anne”. Leonardo da Vinci, 1508–1510. img via: wikipedia.org
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The Virgin is portrayed in her traditional colours, her gown has red and blue colours, but Raphael added to it a golden sleeve matching the flowers at her feet. Violets signify the Virgin’s humility, aquilegia indicate the sufferings that lie ahead of Christ, his future Passion. The painting is almost a pastoral with the most revered Christian saints masterfully fit by the artist into quiet county life.
‘The Beautiful Gardener’, Raphael Santi, circa 1507. Oil on panel. img via: wikipedia.org
#8
‘Madonna and Child with John the Baptist’ is the highlight of the artist’s Florentine period. Raphael did not complete it, although he did sign it and put the date on the hem of Mary’s robe. The painting is believed to have been completed by Ridolfo del Ghirlandaio. There is a legend that the Virgin’s blue cloak was painted by him, but there is no evidence to validate the story. “The Beautiful Gardener”, the title under which the original is exhibited in the Louvre in Paris, was given to the painting by art critic Pierre Jean Mariette in 1720.

An unknown artist repeated Raphael’s painting with the exception of a few details. Mary’s head is covered, Jesus’s and John’s hair is darker. There are no slender-trunked trees in the background, the flowers at the characters’ feet are not so clearly visible. With darker shades of the sky, a reddish strip near the horizon, the artist created a growing sense of anxiety for the future of infants Jesus and John.

#10
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Madonna with Infant Christ and Young John

Creation period
mid-16th century
Dimensions
109x95 cm
Technique
oil on canvas
3
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To see AR mode in action:
  1. Install ARTEFACT app for 
  2. iOS or Android;
  3. Find and download the «Paintings in Details» exhibition
  4. Push the «Augmented reality» button and point your phone's camera at the painting;
  5. Watch what happens on your phone screen whilst you flip through the pictures.
 
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